MARLENE
CREATES
Born
in Montreal, 1952 / Née à Montréal en 1952.
EDUCATION
/ ÉTUDES
Queen’s
University, Kingston, Ontario, Bachelor of Art Education (Hons.),
1970-74.
Memorial
University of Newfoundland, St. John’s, English 4911, Advanced Creative
Writing
in Poetry, 2006
SOLO EXHIBITIONS / EXPOSITIONS
INDIVIDUELLES
Marlene Creates: Places, Paths, and Pauses
/ Marlene Creates : Lieux, sentiers et pauses, a touring
retrospective:
2017 Beaverbrook Art
Gallery, Fredericton, New Brunswick
2018
Dalhousie Art Gallery, Halifax, Nova Scotia
Confederation Centre Art Gallery, Charlottetown, Prince
Edward Island
2019 Carleton University
Art Gallery, Ottawa, Ontario
The Rooms Provincial Art Gallery, St. John's, Newfoundland.
What Came to Light at
Blast Hole Pond River, Newfoundland
2017
Paul Petro Contemporary Art, Toronto, a Featured Exhibition of the Scotiabank CONTACT Photography Festival.
To the Blast Hole
Pond River
2017 Fogo Island
Gallery, Joe Batt's Arm, Newfoundland.
A Newfoundland Treasury of Terms for Ice and Snow
2018 Canadian
Language Museum, Glendon Gallery, Glendon College, Toronto
2015 Paul
Petro Contemporary Art, Toronto, a Featured Exhibition of the Scotiabank CONTACT Photography Festival
Tent Gallery, Edinburgh College of Art,
Edinburgh, Scotland.
Marlene Creates:
selected works from 30 years, 1982-2012
2013
Paul Petro Contemporary Art, Toronto, a Featured Exhibition of the Scotiabank CONTACT Photography Festival.
Marlene Creates: Signs of Our Time
2009
McIntosh Gallery, University of Western Ontario, London, Ontario.
2007
Cambridge Galleries, Cambridge, Ontario
2006
Tom Thomson Memorial Art Gallery, Owen Sound, Ontario
2005
The Rooms
Provincial Art Gallery, St. John’s, Newfoundland
2005
Saint Mary’s University Art
Gallery, Halifax, Nova Scotia.
Echoes of Grace
2007
A Space
Gallery,
Toronto.
2005
Confederation Centre Art Gallery, Charlottetown, Prince Edward Island
2004
Eastern Edge Gallery, St. John’s, Newfoundland, invitational
exhibition for the 20th anniversary of Eastern Edge.
Language and Land Use, Newfoundland 1994
2003
Paved Art + New Media, Saskatoon, Saskatchewan
2001
University of New Brunswick Art Centre, Fredericton, New Brunswick.
Dwelling and Transience
2001
Art Gallery of Greater Victoria, Victoria, British Columbia.
Orientation
2001
Agnes Etherington Art Centre, Queen’s University, Kingston, Ontario.
Questions about the Place, Nova Scotia 1998
2000
Acadia University Art Gallery, Wolfville, Nova Scotia.
Language and Land Use, Alberta 1993
2000
Medicine Hat Museum and Art Gallery, Alberta.
Places of Presence and other works
1999
Watershed Media Centre, Bristol, England.
Intersections: Places, General Regulations, and Memories,
Mount
Saint
Vincent, Halifax 1998
1998
installed on the grounds of Mount Saint Vincent University, Halifax,
a
project of MSVU Art Gallery for the Mount's 125th anniversary.
Limites municipales, Québec 1997
1997
Vu, Québec, Québec, for Trois fois Trois Paysages.
The Colour of My Voice, the Colour of the Land, Newfoundland 1996
and
Selected Works
1997
McMichael Canadian Art Collection, Kleinburg, Ontario.
Language and Land Use, Newfoundland 1994
1998
Mount Saint Vincent University Art Gallery, Halifax, Nova Scotia
1997
Art Gallery of Algoma, Sault Ste. Marie, Ontario
1996
Thunder Bay Art Gallery, Thunder Bay, Ontario
1996
Timmins
Museum, Timmins, Ontario
1996
Emma Ciotti Gallery, Iroquois Falls, Ontario
1995
Collins Gallery, University of Strathclyde, Glasgow, Scotland, for Fotofeis
International
Festival of
Photography
1995
Eastern
Edge Rogue Gallery, St. John's, Newfoundland.
Marlene Creates: Narratives of Place 1988-1994 / Contes
mémographiques
1988-1994
1996
Stewart Hall Art Gallery, Pointe Claire, Quebec.
Persistance de la géographie
1995
La Chambre blanche, Québec, Québec.
Marlene Creates: Landworks 1979-1991
1993
Art Gallery of Memorial University, St. John’s, Newfoundland, and tour:
1993
Carleton University Art Gallery, Ottawa, Ontar
1993
Southern
Alberta Art Gallery, Lethbridge, Alberta
1994
Confederation Centre Art Gallery, Charlottetown, Prince Edward Island
1994
Winnipeg
Art Gallery, Winnipeg, Manitoba
1995
Dalhousie University Art Gallery, Halifax, Nova Scotia.
Language and Land Use, Alberta 1993
1993
Southern Alberta Art Gallery, Lethbridge, Alberta, and tour:
1995
Cherry Coulee Christian Academy, Bow Island, Alberta
1995
Medicine
Hat Community College, Alberta.
Places of Presence: Newfoundland kin and ancestral land,
Newfoundland
1989-1991
1994
Southern Newfoundland Seamen’s Museum, Grand Bank, Newfoundland
1994
Mary March
Regional Museum, Grand Falls, Newfoundland
1993
Gallery 44, Toronto, Ontario.
Marlene Creates
1993
SAW Gallery, Ottawa, Ontario, invitational exhibition for the 20th
anniversary of SAW Gallery.
A
River, an
Island, a City: the Persistence of Geography, Montreal 1992 /
1992
Sun Life Building, Montreal, Quebec.
The Distance Between Two Points is Measured in Memories, Labrador 1988
1991
Forest City Gallery, London, Ontario
1991
Vik
Gallery, Edmonton, Alberta, for The Works Festival
1991
Gallery
Connexion, Fredericton, New Brunswick
1990
Ufundi Gallery, Ottawa, Ontario
1990
Presentation House Gallery, North Vancouver, British Columbia
1989
14th Labrador Creative Arts Festival, Happy Valley-Goose Bay, Labrador
1989
Sir
Wilfred Grenfell College Art Gallery, Corner Brook, Newfoundland
1989
Eastern
Edge, St. John’s, Newfoundland.
The Distance Between Two Points is Measured in Memories
1987
Gallery 101, Ottawa, Ontario.
Landworks 1979-1985
1987
Northern Life Museum and National Exhibition Centre, Fort Smith, NWT.
Marlene Creates (Art Gallery of Ontario, Extension Services)
1986
White Water Gallery, North Bay, Ontario
1984
Artcite, Windsor, Ontario
1983
National Exhibition Centre, Thunder Bay, Ontario
1982
Confederation College, Kenora, Ontario.
Landworks: Baffin Island 1985
1986
Labrador Institute of Northern Studies, Happy Valley-Goose Bay,
Labrador.
Landworks: Newfoundland 1982
1986
Arts and Culture Centres, Newfoundland, provincial tour.
Places, Paths, Memories
1986
Stewart Hall Art Gallery, Pointe Claire, Quebec.
Des lieux, des sentiers, des souvenirs
1985
Vu, Québec, Québec.
A Pothole and a Petroglyph, Vancouver Island 1984
1985
Avenue Bookshop, Ottawa, Ontario.
Paper, Stones and Water
1984-88
Canadian Museum of Contemporary Photography touring exhibition:
The Station Gallery, Whitby, Ontario
National Film Board of Canada, Halifax, Nova Scotia
Centre d’exposition de St-Hyacinthe, Québec
Temiskaming Art Gallery, Haileybury, Ontario
Photo Union Gallery, Hamilton, Ontario
W.B. Lewis Library, Deep River, Ontario
Bibliothèque de Brossard, Brossard, Québec
Musée Minéralogique et d’Histoire Minière, Asbestos, Québec
Edmonton Public Library, Edmonton, Alberta.
Paper and Place
1983
Dunlop Art Gallery, Regina, Saskatchewan
1983
Centre Eye
Gallery, Calgary, Alberta.
Pierres et Papier
1983
L’Imagier centre d’exposition, Aylmer, Québec.
On Site
1982
Art Gallery of Memorial University, St. John’s, Newfoundland.
Paper, Stones and Water: Ireland 1981
1981
Algonquin College Gallery, Ottawa, Ontario.
Paper, Stones and Water
1981
Art and Research Exchange, Belfast, Northern Ireland
1981
Agnes
Etherington Art Centre, Kingston, Ontario
1981
Artspace,
Peterborough, Ontario
1980
SAW Gallery, Ottawa, Ontario.
Two Stories to Every Side
1979
Galerie Sans Nom, Moncton, New Brunswick
1978
SAW Gallery, Ottawa, Ontario.
LIVE-ART EVENTS / PERFORMANCES
The Boreal Poetry Garden, in situ performances:
2018
Meandering with the Blast Hole Pond
River with collaborators Katie Baggs, original songs about
water; Denise Hennebury,
environmental interpretation of the river ecosystem;
Don McKay, a new river poem; Anna Swanson, poems about
wild swimming; and Liz Zetlin, films about water.
2017
Fire | Light with collaborators Kjell
Andersson, accordion; Carissa Brown, the ecology of fire and light in
the boreal forest;
Don McKay, poetry and acting principal moose horn;
and Aaron McKim, fire juggling, swallowing, and throwing.
2016 Breezes,
Breath, and Bellows with Christine Carter, clarinet and moose
horn; Florian Hoefner, accordion; and Don McKay, poetry and moose horn.
St.
Bonaventure's College, St. John's, Grade 12
English class.
2015
Earth
as planet; earth as soil with poet Don McKay, mycologist Faye
Murrin, and botanist Peter Scott,
in conjunction with the UN International Year of Soils.
2014 Sound Symposium XVII, Boreal Breaths and Steps with
Nicola Hawkins, dance; Don McKay, poetry; and Louise Moyes, dance.
Festival of
New Dance, Boreal Breaths and Steps
part 2 with Susanna Hood, dance, and Scott Thomson, trombone.
‘open mic’ event at The Boreal Poetry
Garden in conjunction with 100
Thousand Poets and Musicians for Change.
2013 Musicians
in Concert with The Boreal Poetry Garden with Rob Power,
percussion; Rozalind MacPhail, flute; & Ilia Nicoll, viola.
Memorial
University of Newfoundland, Department of English, Writing With Pictures.
‘open mic’
event at The Boreal Poetry Garden
in conjunction with 100 Thousand
Poets and Musicians for Change.
2012 The Garden,
The Field, The Boreal & Its Understory with conservation
biologist Luise Hermanutz and guest poet Liz Zetlin.
Birds and Beasts and Other Creatures with
cognitive and behavioral ecologist Bill Montevecchi and guest poet
Monica Kidd.
Tuff Love: Ancient Volcanic Rock on the
Northeast Avalon with geologist Paul Dean and guest poet Don
McKay.
Royal Canadian
Academy of Arts, Annual General Assembly.
Memorial
University Department of Education, Environmental
Education Across the Curriculum.
2011 The UN International Year of Forests 2011 and
Canada’s first National Tree Day, with guest poets Mary Dalton, Tom
Dawe,
Danielle Devereaux, and Don McKay.
2010 The Writers’ Alliance of Newfoundland &
Labrador.
2009 Eastern Edge Gallery, fund-raising event.
2008 The League of Canadian Poets, Poetry Festival
and Conference.
2008 Sound Symposium XIV.
INTERNET PROJECT / PROJET INTERNET
2010
A Virtual
Walk of The Boreal Poetry Garden, in
collaboration with Elizabeth Zetlin and Jed Baker.
VIDEO SCREENINGS / PROJECTIONS
2018
Geumgang Nature Art Biennale, video exhibition Wind, Korean Nature Artists'
Association-YATOO, Republic of Korea.
2017
Fogo Island Inn Cinema, Joe Batt's Arm, Newfoundland.
Scrap Metal Gallery, Toronto.
Bonavista Biennale, Salt
Fish Plant, Catalina, Newfoundland.
2016
Wessex Society of Newfoundland, Fisheries and Marine Institute of
Memorial University, St. John’s.
Canadian High Commission, Canada House, London, England.
Schumacher College, Dartington Hall Estate, Totnes, Devon, England, Language, Landscape & the Sublime symposium.
Somerset House, London,
England, Walking Women
symposium.
Geumgang Nature Art Biennale, video exhibition Water, Korean Nature Artists Association-YATOO, Republic of Korea.
rare Charitable Research Reserve, ECO Centre, Cambridge, Ontario.
Boreal Ecology, Biology
3610, Memorial University, St. John's.
2015
Women
Directors' International Film Festival, New
Delhi, India.
Finger
Lakes
Environmental Fim Festival, Ithaca College, NY.
Northeast
Modern
Language Association Annual Convention, Special Event sponsored by
Cultural & Media Studies and
Interdisciplinary Humanities, Royal York Hotel, Toronto.
Resource Centre for the Arts, LSPU Hall, St. John’s at the book launch
for Brickle, Nish, and Knobbly: A
Newfoundland
Treasury of
Terms for Ice and Snow, Boulder Publications.
University
of Cambridge, Green
Knowledge' biennial conference of the Association
for the Study of Literature and
Environment–UK
& Ireland (ASLE–UKI), Cambridge, England.
Voices from the Waters International Traveling Film
Festival, Bangalore, India.
University of
Strathclyde, Canadian Literature Reading Group, English Department,
School of Humanities and
Social
Sciences, Glasgow, Scotland.
University of St Mark
& St John, English and Creative Writing program, Plymouth, England.
2014
Boreal Ecology, Biology 3610, Memorial University,
St. John’s.
WADE IN,
part of Eastern Edge Gallery's 30th anniversary events, 30/30 Vision.
St. John’s International Women’s Film Festival, St.
John’s, Newfoundland.
ViDEOTExT Festival, Bramberg, Austria.
Society for Existential and Phenomenological Theory
and Culture at Congress 2014 of the Humanities and Social Sciences,
Brock
University, St. Catharine’s, Ontario.
2011
Ok.Quoi?! Contemporary Arts Festival, Video Drive-In, Sackville, New
Brunswick.
2010 Planet in Focus International
Environmental Film & Video Festival, “Green Market”, Toronto.
2010 St. John’s International Women’s
Film Festival, St.
John’s, Newfoundland.
2010 The Voice: VISIBLE VERSE
Videopoetry Festival,
Vancouver, BC.
2007
St. John’s International Women’s Film Festival, St.
John’s, Newfoundland.
GROUP
EXHIBITIONS / EXPOSITIONS COLLECTIVES
another Landscape show
2019 Art Gallery of Alberta, Edmonton.
Àdisòkàmagan / Nous connaître un peu
nous-mêmes / We'll all become stories: A Survey of Art in the
Ottawa-Gatineau Region
2018 The Ottawa Art
Gallery, Ottawa.
Meditation
2018 Paul Petro Contemporary Art, Toronto.
in medias res / into
the middle of things
2018 Paul Petro Contemporary Art, Toronto.
Photography
in Canada, 1960–2000 / La photographie au Canada, 1960–2000
2017 National Gallery of Canada, Ottawa, and touring:
2018 The Rooms Provincial Art Gallery, St. John’s.
Out of the Bush Garden: Contemporary
Artists from Central-Eastern Canada, Imago Mundi Canada,
2017 Palazzo Loredan, Istituto Veneto di Scienze,
Lettere ed Arti, Campo Santo Stefano, Venice, Italy
2018 Onsite Gallery, OCAD University, Toronto.
So Lightly Here
2017 Paul Petro Contemporary Art, Toronto.
Belonging to a Place: An Exhibition by Fogo
Island Arts
2017 Scrap Metal Gallery, Toronto.
Bonavista Biennale: Art Encounters on the
Edge
2017 2 Rooms Contemporary Art Projects, Duntara, and
the Salt Fish Plant, Catalina, Bonavista Peninsula, Newfoundland.
The
Tremendous Elusive: Emily Carr and the Canadian Imaginary
2016 Canada House Gallery, London, England.
Landing
2015 Art Gallery of Peterborough, Peterborough,
Ontario.
Nature
Present in conjunction with the Future of Nature? conference and
festival
2015 Rotary Arts Centre, City Hall, Corner Brook,
Newfoundland.
Incidence
Report
2015 Dalhousie Art Gallery, Halifax, Nova Scotia.
A Mark of Effort, participatory art
project and exhibition
2015 University for the Creative Arts, Farnham,
Surrey, UK
The Art of Walking
2014 The Museum in the Park, Stroud,
Gloucestershire, England, UK.
Land Reform(ed) / Le paysage (re)visité
2014 Âjagemô Gallery (Canada
Council for the Arts exhibition space), Ottawa, Ontario.
Changing Tides: Contemporary Art of
Newfoundland and Labrador
2014 McMichael Canadian Art Collection,
Kleinburg, Ontario.
Vernal Pool: A participatory art project
about place + precipitation
by Karen Abel with Jessica Marion Barr, part of Grow Op: Exploring Landscape + Place
2014 Gladstone Hotel, Toronto.
Artists’ Walks
2014 Art Gallery of Peterborough,
Ontario.
The Walking Encyclopaedia
2014 AirSpace Gallery,
Stoke-on-Trent, England, UK.
History Becomes You
2013 Paul Petro
Contemporary Art, Toronto.
Lost Horizon: Landscape by Other Means
2013 Saint Mary's
University Art Gallery, Halifax, Nova Scotia.
Heart of the
Moment: Selections from the Permanent Collection
2013 Ottawa Art Gallery, Ottawa.
Spotlight on 40 Years: Artworks from the
Canada Council Art Bank
2012 Canada
Council Art Bank, Ottawa, Ontario.
engram (a
memory
trace)
2011
MacKenzie Art Gallery, Regina,
Saskatchewan.
25 for 25: A celebration
of the Provincial Art Bank Program’s 25 years of collecting
2011
Provincial Seamen’s Museum, Grand Bank, Newfoundland
2012 Mary March Provincial
Museum, Grand Falls, Newfoundland
2012
The Rooms Provincial Art Gallery,
St. John’s, Newfoundland.
The Living City:
Inclusive, Sustainable, Creative
2010 Canada
Pavilion, World Expo 2010, Shanghai, China.
Provincial
Arts and
Letters Exhibition
2010
The Rooms Provincial
Art Gallery, St. John's, Newfoundland.
Reflections
on Water
2009
Centre for
Contemporary Art and the
Natural World, Haldon Forest Park,
Exeter, Devon, UK
Time
After Timeline Members
Exhibition for the 25th anniversary of Eastern Edge
2009 Eastern Edge
Gallery, St. John's, Newfoundland.
Evidence: The Ottawa City
Project
2008
Ottawa Art Gallery, Ottawa, Ontario.
Trace
Elements: Selections from The Rooms Provincial Art Gallery
2008
Rideau Hall, Ottawa, Ontario.
Community
Art Exhibition
2008
A1C Gallery, St. John's,
Newfoundland.
A Century of Women and Work
2007
Toronto City Hall, Toronto, Ontario
2007
Workers Arts & Heritage Centre, Hamilton, Ontario
2007
Sheraton Centre, Toronto
2007
St. Clair Centre for the Arts, Windsor, Ontario
2007
Westin Harbour Castle Hotel, Toronto
2007
Metro Toronto Convention Centre, Toronto
2008
Royal York, Toronto
2008
Workers Arts & Heritage Centre, Hamilton, Ontario
2009
British Columbia
Government
Employees Union conference, Vancouver.
REcollections
2007
The Rooms Provincial Art Gallery, St. John’s, Newfoundland.
A Walk in the Park
2007
Dalhousie Art Gallery, Halifax, Nova Scotia.
Sur la route / On the road
2006
Musée régional de Rimouski, Rimouski, Québec.
New Acquisitions
2006
Art Gallery of Alberta, Edmonton, Alberta.
Imprints
2005
Canadian Museum of Contemporary Photography, Ottawa, Ontario.
Weathervane
2005
The Ottawa Art Gallery, Ottawa, Ontario
2005
Oakville
Galleries, Oakville, Ontario
2006
Museum London, London, Ontario
2006
La Galerie
d’art de l’Université du Québec à Montréal (UQAM), Montréal,
Québec.
Selections from the Permanent Collection, opening exhibition
2005
The Rooms Provincial Art Gallery, St. John’s, Newfoundland.
2005
The Ottawa Art Gallery, Ottawa, Ontario.
Three Rivers: wild waters, sacred places
2004
Yukon Arts Centre Public Art Gallery, Whitehorse, Yukon, and tour:
2005
Robert McLaughlin Gallery, Oshawa, Ontario
2005
Maltwood
Art Museum and Gallery, University of Victoria, British
Columbia
2006
Kelowna Art Gallery, Kelowna, British Columbia
2006
Art
Gallery of Peterborough, Peterborough, Ontario
Exhibit A: Photography from Atlantic Canada
2004
Saint Mary’s University Art Gallery, Halifax, Nova Scotia, and tour:
2005
Sir Wilfred Grenfell College Art Gallery, Corner Brook, Newfoundland
2005
Prefix
Institute of Contemporary Art, Toronto, Ontario.
Future Cities
2004
Art Gallery of Hamilton, Hamilton, Ontario.
The Limestone Barrens Project
2004
Sir Wilfred Grenfell College Art Gallery, Corner Brook, Newfoundland,
and tour:
2004
Tom
Thomson Memorial Art Gallery, Owen Sound, Ontario
2005
Model Arts and Niland Gallery, Sligo, Ireland
2005
The Rooms
Provincial Art Gallery, St. John’s, Newfoundland.
First View: Recent Acquisitions
2003
Carleton University Art Gallery, Ottawa, Ontario.
Revealing the Subject
2003
Oakville Galleries, Oakville, Ontario, and tour:
2003
WKP
Kennedy Gallery, North Bay, Ontario
2004
Art Gallery of Peterborough, Peterborough, Ontario
2004
The Visual
Arts Centre of Clarington, Bowmanville, Ontario
2004
MacLaren
Art Centre, Barrie, Ontario.
The Bigger Picture: Portraits from Ottawa
2003
The Ottawa Art Gallery, Ottawa, Ontario.
View Finders: Celebrating 50 Years of Collecting
2003
MacKenzie Art Gallery, Regina, Saskatchewan.
Dualities: Contemporary works from the Permanent Collection
Artists in the Arctic
2003
National Gallery of Canada, Ottawa, Ontario.
Tide Line: Contemporary art from the Atlantic Provinces, part of
the Atlantic
Scene Festival
2003
City Hall Art Gallery, Ottawa, Ontario.
Atlantic Art, part of the Atlantic Scene Festival
2003
National Arts Centre, Ottawa, Ontario.
A Little Bit of Funk: Recent Western and Contemporary Acquisitions
2003
Art Gallery of Greater Victoria, Victoria, British Columbia.
2003
St. John’s City Hall, St. John’s, Newfoundland.
North & South: tradition, invention and intervention in Labrador
2002
Art Gallery of Newfoundland & Labrador, St. John’s, Newfoundland.
An Invested Nature
2002
Dalhousie University Art Gallery, Halifax, Nova Scotia.
River City
2001
The Edmonton Art Gallery, Edmonton, Alberta.
A Hard Place: Observations on Geology in the Permanent Collection
2001
Art Gallery of Newfoundland & Labrador, St. John’s, Newfoundland.
Artists in a Floating World: the Marion McCain Atlantic Art
Exhibition
2000
Beaverbrook Art Gallery, Fredericton, New Brunswick, and tour:
2001
Dalhousie University Art Gallery, Halifax, Nova Scotia
2001
London
Regional Gallery, London, Ontario.
From the Eastern Edge
2000
I-Land Gallery, Toronto, Ontario.
Year 01
2000
Eastern Edge Gallery, St. John’s, Newfoundland.
Zone 6B: Art in the Environment
2000
The City of Hamilton and the Royal Botanical Gardens, through the Art
Gallery
of Hamilton, Ontario.
“Taking Inspiration from Marlene Creates, Canadian Photographer”:
Exploring
‘Place’
within School
2000
I-Land Gallery, Toronto, Ontario.
Cultural Cross Currents: ConTexts
2000
MacKenzie Art Gallery, Regina, Saskatchewan.
In Camera
2000
Tom Thomson Memorial Art Gallery, Owen Sound, Ontario.
Four on the Floor
2000
Eastern Edge Gallery, St. John’s, Newfoundland.
Light Proof
2000
Art Gallery of Newfoundland & Labrador, St. John’s, Newfoundland.
Love
2000
Resource Centre for the Arts, St. John’s, Newfoundland.
Marlene Creates: Questions about the Place, Nova Scotia 1998 &
Richard
Holden: Local Histories
1999
Eastern Edge Gallery, St. John's, Newfoundland.
Land Marks
1999
National Gallery of Canada, Ottawa, Ontario.
Images of Us
1999
Resource Centre for the Arts, St. John's, Newfoundland.
Landshapes: Records of Actions, part of SIGHT/SITE:
Visualizing Earth
at the Millennium
1999
Southeast Museum of Photography, Daytona Beach, Florida, and tour:
2000
The von Liebig Art Center, Naples, Florida
2000
The
Contemporary Art Center of Virginia, Virginia Beach, Virginia.
Ville imaginaire, ville identitaire
1998
Salle Multi de Méduse, Québec, Québec, for colloque organized by
l'Université
Laval and Vu.
Landscape and Place; Narrative and Photography
1998
Anna Leonowens Gallery, Halifax, Nova Scotia.
La Face / The Face – In Search of the Emblematic
1998
Dazibao, Montreal, Quebec.
Métronome
1998
La Chambre blanche, Québec, Québec.
Les lieux communs: Culture populaire et art contemporain
1997
Musée régional de Rimouski, Rimouski, Québec
1998
CIAC – Centre international d'art contemporain, Montréal, Québec.
Contemporary Charts
1997
Devon House Gallery, St. John's, Newfoundland.
500 Years Later: Contemporary Photography in Newfoundland &
Labrador,
St. John's Photography Co-Op
1997
Resource Centre for the Arts, St. John's, Newfoundland.
Theatrum Mundi: the Marion McCain Atlantic Art Exhibition
1997
Beaverbrook Art Gallery, Fredericton, New Brunswick, and tour:
1998
Dalhousie University Art Gallery, Halifax, Nova Scotia
1998
Art
Gallery of Newfoundland & Labrador, St. John's, Newfoundland
1999
Canadian Embassy, Washington, D.C.
1999
MacKenzie
Art Gallery, Regina, Saskatchewan.
Survey Results Show...
National Gallery of Canada touring exhibition:
1997
Oakville Galleries, Oakville, Ontario
1997
The Nickle
Arts Museum, Calgary, Alberta
1998
Rodman Hall Arts Centre, St. Catharines, Ontario
1998
Winnipeg
Art Gallery, Winnipeg, Manitoba.
Contours
1997
Olga Korper Gallery, Toronto, Ontario.
Manœuvres: Regional Representation in the Canada Council Art Bank
1997
The Ottawa Art Gallery, Ottawa, Ontario.
Selected Photographs from the City of Ottawa Collection
1997
Karsh-Masson Gallery, Ottawa City Hall, Ottawa, Ontario.
The Labrador Interpretation Centre, North West River, Labrador
1997
inaugural exhibition opened by HM Queen Elizabeth II.
Rethinking the Rural in Contemporary Newfoundland Art
1997
Art Gallery of Newfoundland & Labrador, St. John's, Newfoundland.
St. John's Photography Co-Op
1996
Resource Centre for the Arts, St. John's, Newfoundland.
Looking Back IV: 1991-1995
1996
Southern Alberta Art Gallery, Lethbridge, Alberta.
Swinging the Lead
1996
The Old Leadworks, Bristol, England, for Bristol 96,
International Festival of the Sea.
Container 96 – Art Across Oceans
1996
Copenhagen, Denmark, for Copenhagen 96, Cultural Capital of Europe.
Signatures: Newfoundland Women Artists and Writers
1996
Eastern Edge Gallery, St. John's, Newfoundland.
Afterimages: Representing The Absent Body
1996
School of Architecture, Technical University of Nova Scotia, Halifax.
The Edge of Town, Second International Distinguished Artists
Symposium and Exhibition
1995
Joseloff Gallery, University of Hartford, Connecticut.
Storyland: Narrative Vision and Social Space
1995
Walter Phillips Gallery, Banff, Alberta.
Displaced Histories / Histoires déplacées
1995
Canadian Museum of Contemporary Photography, Ottawa, Ontario.
Calanais
1995
An Lanntair, Stornoway, Isle of Lewis, Scotland, and tour:
1995
Galerie
du Faouëdic, Hôtel de Ville, Lorient, Brittany, France, for Festival
Interceltique de Lorient
1996
Talbot Rice Gallery, University of Edinburgh, Scotland
1996
Barrack
Street Museum, Dundee, Scotland
1997
Maclaurin Art Gallery, Ayr, Scotland
1997
Glasgow
School of Art, Glasgow, Scotland
1997
Ironworks
Gallery, Summerlee Heritage Park, Coatbridge, Scotland.
Land and Sea: Eight Artists from Newfoundland
1995
Art Gallery of Newfoundland and Labrador, St. John’s (formerly Art
Gallery
of Memorial University)
1995
The Queen’s University of Belfast, Belfast, Northern Ireland
1995
The Glebe House and Gallery, Churchill, County Donegal, Ireland
1995
Monaghan County Museum Gallery, Monaghan, Ireland
1996
Model Arts Centre, Sligo, Ireland
1996
Garter
Lane Arts Centre, Waterford, Ireland
1996
The Boole
Library, University College, Cork, Ireland.
Anti-Slogans
1995
Cairn Gallery, Nailsworth, Gloucestershire, England.
Landscapes and Portraits from City Collections
1994
Karsh-Masson Gallery, Ottawa City Hall, Ottawa, Ontario.
The Vocation of Storytelling: rooted in community
1994
Struts Centre, Sackville, New Brunswick.
Home Is Where The Art Is
1994
Eastern Edge, St. John’s, Newfoundland, and tour:
1994
Galerie B-312 Émergence, Montréal, Québec
1994
SAW Gallery, Ottawa, Ontario
1995
Forest City Gallery, London, Ontario
1996
Definitely Superior, Thunder Bay, Ontario
1996
Alternator Gallery, Kelowna, BC.
Anecdotes and Enigmas: the Marion McCain Atlantic Art Exhibition
1994
Beaverbrook Art Gallery, Fredericton, New Brunswick, and tour:
1995
Art Gallery of Memorial University, St. John’s, Newfoundland
1995
Art
Gallery of Nova Scotia, Halifax
1996
Hart House Art Gallery, University of Toronto, Ontario.
Margins of Memory
1993
Art Gallery of Windsor, Windsor, Ontario.
Earth, Air and Water
1993
Eastern Edge, St. John’s, Newfoundland.
Earthscape
1993
Art Gallery of Peterborough, Peterborough, Ontario.
Telling Tales
1993
White Water Gallery, North Bay, Ontario.
Possible Maps
1993
Resource Centre for the Arts, St. John’s, Newfoundland.
Michel Campeau et/and Marlene Creates: Photo-sequences
1993
Eastern Edge, St. John’s, Newfoundland.
New Found Photographers
1993
James Baird Gallery, St. John’s and Toronto.
Pièces d'identités
1993
La Centrale, Montréal, Québec.
In Tandem: works by Marlene Creates, Har Prakash Khalsa, and Arlene
Stamp
in
collaboration with others
1992
KAAI, Kingston, Ontario.
Impact: Public Installations by Artists of Atlantic Canada /
Installations
publiques par des artistes du Canada
1992
Moncton, New Brunswick, through Galerie d’art de l’Université de
Moncton.
Fire
1992
Eastern Edge, St. John’s, Newfoundland.
Environment
1992
The Photographers Gallery, Saskatoon, Saskatchewan.
Rephotographing the Land
1992
Dalhousie University Art Gallery, Halifax, Nova Scotia.
No Fishing
1991
Resource Centre for the Arts, St. John’s, Newfoundland.
Location and Displacement
1991
SAW Gallery, Ottawa, Ontario.
Wrapture
1990
Ufundi Gallery, Ottawa, Ontario.
Some Photographic Elements
1989
Gallery 44, Toronto, Ontario.
Maskunow: A Trail, A Path
1989
Art Gallery of Memorial University, St. John’s.
Notions of Environment
1989
Eastern Edge, St. John’s, Newfoundland, and tour:
1989
Great George Gallery, Charlottetown, Prince Edward Island
1989
Anna Leonowens Gallery, Halifax, Nova Scotia
1989
AKA, Saskatoon, Saskatchewan.
20th Anniversary Exhibition (Queen’s and St. Lawrence Fine Arts
Programs)
1989
Agnes Etherington Art Centre, Kingston, Ontario.
Persons Award Exhibition (for
the Status of Women)
1988
National Arts Centre, Ottawa, Ontario.
On Landscape
1988
Ufundi Gallery, Ottawa, Ontario.
Transart
1988-
Ottawa-Carleton Transitway and Canada Council Art Bank project.
Sans Démarcation
1987
Sault Ste. Marie, Ontario, through the Art Gallery of Algoma and Visual
Arts
Ontario.
101 at NAC
1987
Niagara Artists’ Centre, St. Catharines, Ontario.
Process to 3D
1986
The Gallery/Stratford, Stratford, Ontario (Art Gallery of Ontario,
Extension Services).
The Physicality of Landscape: Christo, Paterson Ewen, Marlene Creates
1985
Artspace, Peterborough, Ontario.
Traces from the Travels of Marlene Creates and Pat Martin Bates
1985
Mount Saint Vincent University Art Gallery, Halifax, Nova Scotia.
Ontario Jury Exhibition
1985
Rodman Hall, St. Catharines, Ontario.
Intervention in the Landscape
1985
Brock University, St. Catharines, Ontario.
Polaroid deux
1985
Axe Néo-7, Hull, Québec.
Contemporary Canadian Photography from the Collection of the
National Film
Board
1984-87
national touring exhibition:
Musée du Québec, Québec
Art Gallery of Hamilton
Dalhousie Art Gallery, Halifax
National Gallery of Canada, Ottawa
Winnipeg Art Gallery
Presentation House Gallery, North Vancouver
Edmonton Art Gallery.
Regional Juried Exhibition
1983
Agnes Etherington Art Centre, Kingston, Ontario.
Photographic Sequences
1983
Art Gallery of Peterborough, Peterborough, Ontario.
Ontario Jury Exhibition
1982
Rodman Hall, St. Catharines, Ontario.
Elements: Points of View on Nature / Éléments : points de vue sur la
nature
1981
National Film Board of Canada, Photo Gallery, Ottawa.
Provincial Cultural Symposium exhibition
1981
Ottawa City Hall, Ottawa, Ontario.
Letters to Kobe
1981
Kobe Port Island Exposition, Kobe, Japan.
Four Ottawa Artists
1978
Artspace, Peterborough, Ontario.
Visual Arts Faculty Exhibitions
1977-79
Algonquin College Gallery, Ottawa, Ontario.
Artists Who Teach
1977
York Gallery, Ottawa, Ontario.
Special
Recognition Award, International Film Festival for Environment, Health,
and Culture, Jakarta, Indonesia, 2015
Royal
Reel Award, Canada International Film Festival, Vancouver, 2015
The
Grand Jury Award, Yosemite International Film Festival, 2014
The
BMW Exhibition Prize, Scotiabank CONTACT Photography Festival, Toronto,
2013
Government
of Newfoundland & Labrador Arts and Letters Award (Poetry), 2010
The
CARFAC National Visual Arts Advocate Award, 2009
The Long Haul Award, Excellence in Visual Arts (EVAs),
VANL-CARFAC, 2009
Elected
to the Royal Canadian Academy
of Arts, 2001
The
1996 Artist of the Year Award,
Newfoundland
and Labrador Arts Council
‘Best
of Show’, Regional
Juried Exhibition, Agnes Etherington Art Centre, Kingston, Ontario,
1983
‘1st
prize, photography’, Graphic
Art Horizons, Ottawa juried exhibition, 1983
GRANTS / BOURSES
Canada
Council for the Arts
Canada/Newfoundland
Agreement on Economic Renewal
Canada/Newfoundland
Cooperation Agreement on Cultural Industries
Canada/Newfoundland
Comprehensive Economic Development Agreement
City
of St. John’s
Cultural
Economic Development Program, Government of Newfoundland & Labrador
Newfoundland
and Labrador Arts Council / ArtsNL
VISITING ARTIST lectures, panels /
ARTISTE INVITÉE, conférences
Acadia
University Art Gallery, Wolfville, Nova Scotia, 1992, 2000
Agnes
Etherington Art Centre, Kingston, 1981, 2001
AKA,
Saskatoon, 1989
Algonquin
College Gallery, Ottawa, 1981
ARCCO
Conference, Convergence Strategies & Influences, Congress
Centre,
Ottawa, 2002
Art
and Research Exchange, Belfast, Northern Ireland, 1981
Artcite,
Windsor, 1984
Art Ex: Visual Art in the Exploits
Valley, artists' panel, Gordon Pinsent Centre for the Arts,
Grand Falls-Windors, 2010
Art
Gallery of Algoma, Sault Ste. Marie, 1987
Art
Gallery of Greater Victoria, Victoria, 2001
Art
Gallery of Newfoundland & Labrador, St. John’s, 1999, 2001
The City
Lecture
Series, 2000
Art
Gallery of Peterborough, Ontario, 1993
Artspace,
Peterborough, 1981, 1985
Association
of Canadian Clubs: Edmonton, Grande Prairie, Lethbridge, Lindsay,
Medicine Hat,
Moose Jaw, Orillia, Oshawa, 1983-84
Association
for Literature, Environment, and Culture in Canada (ALECC), plenary
speaker at the biennial conference,
Space + Memory =
Place, University of British Columbia Okanagan, Kelowna, B.C.,
2012
The
Banff Centre for the Arts, Banff, Alberta, panel: Narratives of
Place and
Displacement, 1995
Battle
Harbour National Historic Site, Labrador, 2008
Bay
St.George Community College, Stephenville, Newfoundland, 1982, 1989
Beaverbrook
Art Gallery, Fredericton, panel: Retrospective?
The paths we have trodden, the paths we still pursue, 2017
Bishop
Feild Elementary School, St. John's, 1998, 1999
Bonavista
Biennale, panel: Art & Place,
Coaker Foundation, Port Union, Newfoundland, 2017
Brock
University, Department of Fine Arts, St. Catharines, 1985
Brother
T. I. Murphy Learning Resource Centre, Community Youth Arts Program,
St. John's, 2003, 2008
Cabot
College, Textile Studies Program, St. John’s, 1994
Cambridge
Galleries, Cambridge, Ontario, 2007
Canada Council Art Bank, Ottawa, 1987
Canadian
Historical Association Annual General Meeting at Congress 2011 of the Humanities and Social
Sciences, St. Thomas University,
Fredericton, panel: Art, Memory, and Place:
Interdisciplinary Perspectives on the work of Marlene Creates,
2011
Canadian Museums Association national conference, St. John's, 2010
panel: The Art and Science of People, Place and
Meaning
Canadian
Museum of Contemporary Photography, Ottawa, 1995
Canadian
Parks and Wilderness Society, St. John’s, 2007
Carleton
University Art Gallery, Ottawa, 1993
Department of Continuing Studies, 1987
Department of Art History, 1992
La
Centrale, Montréal, 1993
Central
Junior Secondary School, Victoria, 2000
Central
Newfoundland Visual Arts Society (CNVAS), Grand Falls-Windsor, 2012
Centre
Eye Gallery, Calgary, 1983
Centre for Contemporary Art and the Natural World, Haldon Forest Park,
Exeter, Devon, England, 2009
La
Chambre blanche/Musée du Québec, Québec, Investir un lieu, 1995
College
of the North Atlantic, Visual Arts Department, Stephenville,
Newfoundland, 2000
College of the North Atlantic, Textile Studies Program, St. John's, Artists' Copyright and Intellectual
Property, 2011
Collins
Gallery, University of Strathclyde, Glasgow, Scotland, 1995
Commonwealth
Foundation, Fellowship Program, St. John's, 1996
Concordia
University, Montreal, Faculty of Fine Arts, 1992, 2016
Art History Department, 1995
Photography Programme, 1998
Centre for Interdisciplinary
Studies in Society and Culture, Waters
Lost, Waters Found Research Group, 2016
Confederation
Centre Art Gallery, Charlottetown, 1992, 1994, 2018
Confederation
College, Kenora, 1982
Crafts
Council of Newfoundland & Labrador, A Public Art and
Commissions Seminar, 2003
Dalhousie
University Art Gallery, Halifax, 1992, 1995, 2018
Dalhousie
University, Halifax, Department of English, Spoken Word, Storytelling, and Literary
Performance course, 2018
Dazibao,
Montréal, 1993
Deveron Arts, Huntly, Scotland, 2015
Dundas
Valley School of Art, Dundas, Ontario, 1983
Dunlop
Art Gallery, Regina, 1983
Eastern
Edge, St. John’s, 1999
CARFAC Self-management
seminar for Visual Artists, 1994
Manufacturing a Newfoundland
Culture: the
Arts and the Bottom Line, 1996
Container 96 – Art Across Oceans, Copenhagen,
1996
The
Salon Féministe, 2002
Women with a Cause, 2008
Art=Work, A Public Forum Regarding Arts
Workers in Newfoundland & Labrador, 2013
Edmonton
Art Gallery, 1993, 2001
Elemental Festival on Walking, 4elements
Living Arts, Kagawong, Manitoulin Island, Ontario, 2016
Est-Nord-Est,
Saint-Jean-Port-Joli, Québec, 1997
Fogo
Island Gallery, Joe Batt's Arm, Newfoundland, Marlene Creates in Conversation with
Nicolaus Schafhausen, 2017
Forest
City Gallery, London, Ontario, 1991
Full
Tilt Creative Centre, McIvers, Newfoundland, Polyglot Plot colloquium, 2012
Gallery
44, Toronto, 1993
Gallery
101, Ottawa, 1987
Gallery
Connexion, Fredericton, 1991
Glasgow
School of Art, Glasgow, Scotland, 1994
Grant
MacEwan Community College, Fine Art Program, Edmonton, 1993
Hartford
Art School, University of Hartford, Connecticut, 1995
Heritage
Foundation of Newfoundland and Labrador, Intangible Cultural Heritage
Program,
Drawing
Memory Maps workshops at the Arts & Culture Centre, St.
John’s, 2012
and at Fishing for Folklore: An Introduction to
Intangible Cultural Heritage, Petty Harbour Community Centre,
2014
Inuit
Art Foundation, Nain, Labrador, 1991
Kelowna
Art Gallery, BC, 2013
Labrador
East Integrated School Board, Happy Valley-Goose Bay, Labrador, 1989
League
of Canadian Poets Annual Conference, St. John’s, panel: The Moving
Image of
Poetry, 2008
The
Library & Gallery, Cambridge, Ontario, 1994
The
Light Symposium,
organized by the Philosophy & English Departments, Memorial
University, and
the Art Gallery of Newfoundland
& Labrador, St. John’s, 2002
Los
Parronales Writers' Retreat, El Noviciado, Chile, Re-seeing Things, 2012
MacKenzie
Art Gallery, Regina, panel: The Relevance of Regionalism, 1999
Mary
March Regional Museum, Grand Falls, Newfoundland, 1994
Marystown
Central High School, Marystown, Newfoundland, 1989
McIntosh
Gallery, University of Western Ontario, London, Ontario, 2009
McMaster
Museum of Art, Hamilton, panel: Zone 6B: Art in the Environment,
2000
McMaster
University, Art Department, Hamilton, 1983
School of the Arts, 2016
McMichael
Canadian Art Collection, Kleinburg, Ontario, 1997
Medicine
Hat Museum and Art Gallery, Alberta, 2000
Memorial
University, Corner Brook, Newfoundland, 1982
Memorial
University Art Gallery, St. John’s, Newfoundland, 1982, 1987, 1990, 1993
Extension
Arts, St. John’s, 1986
Department of Humanities, School of Graduate
Studies, 1995, 1997, 1999, 2001
Faculty of Education, Between
a Rock and a Great
Place,
Learning Vacation, 2002
Faculty
of Education, conference: Despite
This Loss: Culture, Memory and Identity in Newfoundland and Labrador,
2006
Mendel
Art Gallery, Saskatoon, 2003
Monaghan
County Museum Gallery, Monaghan, Ireland, 1995
Mount
Saint Vincent University Art Gallery, Halifax, 1985, 1998
Musée
régional de Rimouski, Rimouski, Québec, 1997
National
Exhibition Centre, Thunder Bay, 1983
National
Gallery of Canada, Ottawa, 1987, 1993, 1999
Newfoundland
& Labrador Social Studies Council, conference:
Celebrating
Centuries of
Culture;
panel: Whither Newfoundland
Culture?, 1997
North
Atlantic Forum, Culture, Place &
Identity at the Heart of Regional Development, international
conference, St. John’s, 2011
panel: Nature as Muse
Northeast Modern Language Association Annual Convention,
Toronto, 2015
Nova
Scotia College of Art and Design University, Halifax, 1992, 1997, 2004,
2005, 2018
panel: Why Landscape?:
Site,
Image and Language, 1994
Ottawa
Women’s Credit Union, Arts Committee, 1987
Paradise
Elementary School, Paradise, Newfoundland, 1988
Photo
Union Gallery, Hamilton, 1985
Plymouth University, School of Art and Media, Plymouth, England, 2008
Fine Art and Photography
Department, Land/Water and the Visual Arts research group, 2015
Presentation
House Gallery, North Vancouver, 1990
Queen’s
University, Art Department, Kingston
Geography Department, Kingston, 2001
rare Charitable Research
Reserve ECO Centre, Cambridge, Ontario, 2016
Resource Centre for the Arts, St. John's, conference:
Shifting
Practice;
panel: Dissemination, 2002
Robert
Gordon University, Gray’s School of Art, Aberdeen, Scotland, 2015
Royal
Canadian Academy of Arts, Annual General Assembly, St. John's, panel: Genius Loci: Spirit of Place, 2012
St.
Bonaventure’s College, Grade 12 English class, St. John’s, 2016
St.
John's Native Friendship Centre Association, Business of the Arts
Conference, 1999
St.
Lawrence Elementary School, Portugal Cove, Newfoundland, 1989
Saint
Mary’s University Art Gallery, Halifax, 2005
panel: Artist/Writer?, 1992
St.
Thomas University, Critical Theory in Contemporary Visual Art course,
Fine Arts Department, Fredericton, 2017
Santiago
Writers, Santiago, Chile, Back to
the Things Themselves, 2012
SAW
Gallery, Ottawa, 1993
Schumacher
College, Dartington Hall Estate, Totnes, Devon, England, Language, Landscape & the Sublime
symposium, 2016
Sheridan
College, Art Department, Oakville, 1983
Sir
Wilfred Grenfell College, Department of Visual Arts, Corner Brook,
Newfoundland, 1989, 1990, 1996, 2000, 2006
Society
for Existential and Phenomenological Theory and Culture (EPTC), at Congress 2014 of the Humanities and Social
Sciences,
Brock University, St.
Catharine’s, Ontario, panel on the theme of weather for Back To The Things Themselves!, 2014
Southern
Alberta Art Gallery, Lethbridge, 1993
Southern
Newfoundland Seamen’s Museum, Grand Bank, 1994
Stewart
Hall Art Gallery, Pointe Claire, Quebec, 1986, 1996
Stroud
Valleys Artspace, Stroud, Gloucestershire, England, 2016
Struts
Centre/Owens Art Gallery, Sackville, New Brunswick, 1994
Terry
Fox Canadian Youth Centre, Ottawa, 1983
The
Rooms, St. John’s, Newfoundland, 2005
Tom
Thomson Memorial Art Gallery, Owen Sound, 2004, 2006
Words Aloud Festival, 2008
Université
d’Ottawa, Département des Arts Visuels
Université
du Québec à Hull et la Maison du Citoyen, Hull, colloque: Art en
Situation, 1988
Université
du Québec à Montréal, Département d’arts plastiques, Montréal, 1992
Universities
Art Association of
Canada, Queen’s University, Kingston, panel: Nature and
Art/Practice and
Theory, 1991
University
of British Columbia Okanagan, Faculty of Creative and Critical Studies,
Kelowna, BC, 2013
University
of Chichester, Departments of Fine Art and English & Creative
Writing, Chichester, England, 2016
University
of Edinburgh, Edinburgh College of Art, ‘Art, Space + Nature’ Masters
program, Edinburgh,
Scotland, 2015
University
of Edinburgh, Centre of Canadian Studies, School of Social and
Political Science, Edinburgh, Scotland, 2015
University
of Glasgow, EcoCultures: Glasgow’s
Festival of Environmental Research, Policy and Practice,
participated
on the panel: Cross-discipline
engagement and the artist in society, 2015
University
of Glasgow, School of Culture and Creative Arts, Theatre Studies Unit,
Glasgow, Scotland, 2015
University
of Kent, School of Arts and Image Studies, Canterbury, England, 1996
University
of Lethbridge, Art Department, 1992, 2001
University
of New Brunswick, Department of English & Creative Writing,
Fredericton, 2017
University
of Ottawa, Department of Visual Arts, 2013
University
of Oxford, School of Geography and the Pitt Rivers Museum, Oxford,
England, 1996
University
of Regina, Department of Visual Art, 1996
University of Saskatchewan, Department of Art and Art History, Saskatoon, 1991, 2003
University
of Siena, Centro Siena-Toronto, Siena, Italy, 2010
University of St Andrews, Institute for Theology, Imagination and the
Arts, St. Andrews, Scotland, 2015
University
of St Mark & St John, English and Creative Writing program,
Plymouth, England, 2015
University of Strathclyde, Canadian Literature Reading Group, English
Department, School of Humanities and
Social
Sciences, Glasgow, Scotland, 2015
University
of Sussex, Centre for Life History Research, Brighton, England, 2009
University
of Toronto, Rotman School of Management, through the Royal Canadian
Academy of
Arts, 2003
University
of Toronto, Art Department, graduate seminar on Ecological Art in Canada since the 1960s,
2011
University of Turin, Master in North American Studies, Faculty of Literature and Foreign Languages, Turin, Italy, 2010
University
of Venice, Scuola di Dottorato in Lingue, Culture e Società, Venice,
Italy, 2010
University
of Victoria, Department of Visual Arts, 2001
University
of Waterloo, Department of Fine Arts, 1994
University
of the West of England, Bristol School of Art, Media and Design,
Bristol, England,
keynote presenter at the
symposium: Art, Rural Life and
Environmental Concern, 2008
Visual
Artists Newfoundland & Labrador, St. John’s, 1995, 1996, 1999, 2004
Vu,
Québec, 1985, 1997
Walter
Phillips Gallery, Banff, Alberta, 1995
Wasan Island, Ontario, The Wasan
Dialogues on Remaking Canada's Places and Creative Place Making,
2013
Watershed
Media Centre, Bristol, England, 1999
Wessex
Society of Newfoundland, Fisheries and Marine Institute of Memorial
University, St. John’s, 2006, 2016
White
Water Gallery, North Bay, 1986, 1993
Wilfred
Laurier University, Waterloo, 1994
Women
in Photography Fifth National Conference, Simmons College, Boston,
panel: The
Landscape in Question, 1997
Yukon
Arts Centre Public Art Gallery, Whitehorse, Yukon, 2004
ARTIST-IN-RESIDENCE and COMMUNITY-BASED
PROJECTS
/ RÉSIDENCES D'ARTISTES
Fogo Island Arts, Newfoundland, 2017
Beaverbrook
Art Gallery, Fredericton, New Brunswick, 2017
Eastern
Comma Artist-in-Residence, rare
Charitable Research Reserve, Cambridge, Ontario, September-October 2016
Elemental Festival on Walking, 4elements
Living Arts, Kagawong, Manitoulin Island, Ontario, 2016
Liminus Festival, Gros Morne Summer
Music, Woody Point and Corner Brook, Newfoundland, 2015
University
of British Columbia Okanagan, Faculty of Creative and Critical Studies,
Kelowna, BC, 2013
Award Ribbons for Woodhaven Nature Conservancy
Expansion
W(here)
Festival, Pictou
County, Nova Scotia, Award
Ribbons for Places in Pictou County, 2012
http://wherefestival.wordpress.com/award-ribbons-for-places/
Three
Rivers Journey,
Yukon (part
of the Boreal Rendezvous), through the Canadian Parks and Wilderness
Society,
2003
Est-Nord-Est,
Saint-Jean-Port-Joli,
Québec, Les lieux communs: Culture populaire et art contemporain, 1997
McMichael
Canadian Art Collection,
Kleinburg, Ontario, in conjunction with the exhibition The Colour
of My
Voice,
the Colour of the Land, Newfoundland 1996 and
Selected Works,
1997
Boréal
Multimédia, Lac Nemiskachi,
Québec, La Tête des Eaux, 1995
Southern
Alberta Art Gallery,
Lethbridge, in conjunction with Language and Land Use, Alberta 1993
Sault
Ste. Marie, Ontario, in
conjunction with the exhibition Sans Démarcation, 1987
Brock
University, Ste. Catharines,
Ontario, in conjunction with the exhibition Intervention in the
Landscape, 1985
Art
Gallery of Memorial University,
St. John’s, Newfoundland, in conjunction with the exhibition On
Site, 1982
TEACHING
and related
activities / ENSEIGNEMENT et autres travaux
2018
Beachy Cove Elementary School,
Portugal Cove-St. Philip's, Newfoundland, ArtsSmarts project.
Newfoundland Writers' Guild, St. John's, Memory mapping and Place workshop.
2017
Enlichenment,
Enlivenment & the Poetics of Place workshop co-leader,
Edgewood Blue, Upper Clearwater, B.C.
Beaverbrook Art Gallery,
Fredericton, New Brunswick, workshops.
2016
University of Chichester,
Departments of Fine Art and English & Creative Writing, Chichester,
England, workshop.
Elemental Festival on Walking, 4elements Living Arts,
Kagawong, Manitoulin Island, Ontario, workshops.
rare
Charitable Research Reserve ECO
Centre,
Cambridge, Ontario, workshop.
2015
Edinburgh
College of Art, University of Edinburgh, invited Academic Visitor for
the Art, Space + Nature MFA
program, fall term.
2015
Robert
Gordon University, Gray's School of Art, Aberdeen, Scotland, workshop.
2012-13
Holy Trinity Elementary, Torbay, ArtsSmarts projects.
2012 Central
Newfoundland Visual Arts Society (CNVAS), Grand Falls-Windsor, workshop.
2011
Beachy Cove Elementary School,
Portugal Cove-St. Philip’s; Virginia Park Elementary, St. John's;
St. Mary’s Elementary, St.
John’s; Holy Trinity Elementary, Torbay; and Topsail Elementary, ArtsSmarts projects.
2010
Department of Education,
Government of Newfoundland & Labrador, ArtsWork workshops for teachers in
Cow Head,
Lewisporte, North West River,
Trinity, St. John’s, Mainland/La Grand’Terre, NL.
2010
VANL-CARFAC, professional development workshops for artists in Happy
Valley-Goose Bay, Corner Brook,
Gander, St. John’s, and Grand Falls-Windsor,
NL.
2005-10 Holy Trinity Elementary
School, Torbay, Newfoundland, ArtsSmarts
projects.
2008
Holy Name of Mary Academy, Lawn,
Newfoundland, ArtsSmarts
projects.
2004
Stella Maris Academy, Trepassey; Baltimore School Complex, Ferryland;
Mobile Central High School, Mobile;
St. Kevin’s Junior High, Goulds; Prince of Wales Collegiate, St.
John’s, Schools-in-Community:
Student Perspectives from Newfoundland & Labrador, art
project in conjunction with
the
Ontario Institute for Studies in Education (OISE), Toronto.
2002
Mount Saint Vincent University, Department of Education, Extension
course, St.
John's.
2001
Mary Queen of Peace School, St. John’s, Artists-in-the-Schools Program.
1998
Nova Scotia College of Art and Design, Photography Department, Halifax.
Mount Saint Vincent University, Department of Education, Extension
course, St.
John's.
1991
Program Director of Summer Residency, Art, Environment, and Land
Use / Art,
environnement et territoire,
Photography
Program, The Banff Centre for the Arts, Banff, Alberta.
1987-88
Community Arts Educator, Memorial University, St. John's, Newfoundland.
1982-85
University of Ottawa, Visual Arts Department.
1975-82
Algonquin College, Visual Arts Department, Ottawa.
2014-2015
co-founding member of the Advisory Committee on the Environment (ACE)
for the Town of Portugal
Cove-
St. Philips,
Newfoundland
2012
PLaCE (Place Location Context
and Environment) International Research Centre (England), associate
member
http://www.uwe.ac.uk/sca/research/place/
2010-2012
Royal Canadian Academy of Arts, head of the steering committee for the
Annual General Assembly, St. John's
2004-2008
VANL-CARFAC (Visual Artists Newfoundland & Labrador, provincial
affiliate
of CARFAC),
Co-chair &
Board member
1997-2007
Arts and Letters
Committee, Government of Newfoundland & Labrador
2005
Visual Arts Special Advisory Committee, Canada Council for the Arts,
Ottawa
2003-05
Royal Canadian Academy of Arts, member of the national council
2000-04
The Canada Council Art Bank Advisory Committee
1995
The Canada Council Art Bank, Transition Advisory Committee
1986-94
Eastern Edge Gallery, St. John’s, founding member and member of the
Board of Directors
1979
ANNPAC (Association of National Non-Profit Artists Centres), Ontario
Representative
Association
for Literature, Environment, and Culture in Canada (ALECC)
Canadian
Artists' Representation Copyright Collective (CARCC)
Eastern Edge Gallery, St. John's
EcoArt
Dialogue (Ecoartnetwork.org)
Nature Newfoundland & Labrador, provincial affiliate of Nature
Canada
Newfoundland & Labrador Environmental Educators
Performance and Ecology network
PLaCE (Place Location Context and Environment) International Research
Centre, University of the West of England, Bristol, UK
Royal Canadian Academy of Arts
Visual Artists Newfoundland & Labrador, provincial affiliate of
Canadian Artists' Representation/
Le front des artistes canadiens
(CARFAC)
Walking Artists Network, Institute for Performing Arts Development,
University of East London, UK
Writers' Alliance of Newfoundland & Labrador
Workers
Arts & Heritage Centre, Hamilton, and the Ontario Federation of
Labour, A
Century of Women and Work, 2007
Edmonton
Art Gallery, for the exhibition River City, 2001
Health
Care Corporation of St. John’s, Echoes of Grace for the Women’s
Health
Centre, Health Sciences Centre,
St. John's,
2001
Art
Gallery of Greater Victoria, Dwelling
and Transience, Greater Victoria 2000, through the Canada Council
for
the
Arts Millennium Fund, 2000
Art
Gallery of Hamilton, for the
exhibition Zone 6B: Art in the Environment, 2000
Gallery
101, Ottawa, for the gallery’s
20th anniversary publication, Bearings: Four
Photographic Essays,
2000
Mount
Saint Vincent University Art
Gallery, for the university's 125th anniversary, 1998
Sun
Life Assurance Company of Canada,
for the City of Montreal’s 350th anniversary, 1992
PUBLIC
COLLECTIONS /
COLLECTIONS PUBLIQUES
Agnes
Etherington Art Centre, Queen’s University, Kingston
Air
Canada, Montreal
Art
Gallery of Algoma, Sault Ste. Marie
Art
Gallery of Alberta, Edmonton
Art
Gallery of Greater Victoria
Art Gallery of Peterborough
Beaverbrook
Art Gallery, Fredericton
Canada
Council Art Bank, Ottawa
Canadian
Museum of Civilization, Hull
Canadian
Museum of Contemporary Photography, Ottawa
Carleton
University Art Gallery, Ottawa
City
of Montreal
City
of Ottawa
Dalhousie
University Art Gallery, Halifax
Department
of Foreign Affairs, Government of Canada
Dunlop Art Gallery, Regina
Esplanade
Arts and Heritage Centre, Medicine Hat
Government
of Newfoundland & Labrador, Provincial Art Bank
Health
Care Corporation of St. John’s
MacKenzie
Art Gallery, Regina
Memorial
University of Newfoundland, St. John’s
Mount
Saint Vincent University Art Gallery, Halifax
National
Gallery of Canada, Ottawa
Oakville
Galleries, Oakville
Ottawa
Art Gallery, Ottawa
Saint
Mary's University Art Gallery, Halifax
Stewart
Hall Art Gallery, Pointe Claire
The
Rooms Provincial Art Gallery, St. John’s
Tom Thomson Memorial Art Gallery, Owen Sound
Yukon
Arts Centre Gallery, Whitehorse
CURATING
and related activities / TRAVAUX DIVERS COMME CONSERVATRICE
1990-92
Co-ordinator, Eastern Edge, St. John’s, Newfoundland
1990
Small Works: In Search of a Non-Toxic Art Practice, Eastern
Edge, St.
John’s
1990
Don Wright 1931-1988: A Retrospective
Art Gallery of Memorial University, St. John’s, and tour: Sir Wilfred
Grenfell
College Art Gallery,
Confederation Centre Art Gallery, Acadia University Art Gallery,
Edmonton Art
Gallery, Art Gallery of
Greater Victoria, Galerie d’art de l’Université de Moncton, Nickle Arts
Museum,
National Gallery of Canada
1988
City
and Sea,
installations by 15 Newfoundland artists in the former Newfoundland
Savings
Bank, St. John’s
1987
Memory/Souvenir, Festival of the Arts exhibition by 17
Ottawa-area
artists in the former Courthouse, Ottawa
1987
The Diary Exhibition/Journaux intimes, diaristic artworks by 16
Canadian
artists
Art Gallery of Memorial University, St. John’s, and tour: Art Gallery
of York
University, Galerie d’art de
l’Université de Moncton, Anna Leonowens Gallery, Artspace, Art Gallery
of
Algoma, Robert McLaughlin Gallery,
Stewart Hall Art Gallery, Norman Mackenzie Art Gallery
1986
New Found Artists Land at Artspace/ ... at SAW Gallery/ ... at KAAI,
Art
Gallery of Memorial University, and tour
1986
Works from the Eastern Edge, Galerie Sans Nom, Moncton, New
Brunswick
1985-86
Curatorial Intern, Art Gallery of Memorial University, St. John’s,
Newfoundland
1985
Co-curator, Art in situ, Festival of the Arts exhibition by 14
Ottawa-area artists
in the former
Fire Station No.3, Ottawa
1979-82
Curator of the Performance Program and Assistant Director, SAW Gallery,
Ottawa
PUBLISHED
WRITING BY THE ARTIST & ONLINE INTERVIEWS / ÉCRITS DE L'ARTISTE
2018 “Marlene Creates: Precise Moments in Particular Spots," online interview with Caitlin Chiasson for Far Afield
2017 Bonavista Biennale, interview: https://www.youtube.com/watch?v=222E9UGxq44
2016
“Exploring Place, Memory Maps, and Language with Marlene Creates”
interview with Dale Jarvis for the Heritage
Foundation’s
Intangible Cultural Heritage and CHMR Radio, Memorial University, St.
John’s (30 min.)
http://doodledaddle.blogspot.ca/2016/09/exploring-place-memory-maps-and.html
2014
“The
Proust Questionnaire: Marlene Creates”, National Gallery of Canada online magazine,
https://www.gallery.ca/magazine/artists/the-proust-questionnaire-marlene-creates
Atlas
Place: Understanding Where We Are, online interview with Glenn
Bach, Mar Vista, California,
https://imprintable.org/2014/05/06/marlene-creates/
vol 42 no 4, (Fall): 5-7.
2008
"Impermanence
and
Temporality", online interview with Leah Oates, NY Arts Magazine,
http://nyartsmagazine.net/impermanence-and-temporality/
2007
“Fission Bruise” with Don McKay, in Apples under the Bed:
Recollections and
Recipes from B.C. Writers
and Artists, Hedgerow Press,
Sidney, B.C.
1992
“Nature is a verb to me”, Rephotographing the Land, Dalhousie
University
Art Gallery, Halifax
1990
“Don Wright: the artist as a part of the whole”, Don Wright
1931-1988: A
Retrospective, Art Gallery of Memorial
University, St. John’s
1988
City and Sea, Extension Arts and the Art Gallery of Memorial
University,
St. John’s
1987
Memory/Souvenir, Festival of the Arts exhibition, Ottawa
The Diary Exhibition/Journaux intimes, Art
Gallery of Memorial University,
St. John’s
1986
New Found Artists Land at Artspace/...at SAW Gallery/...at KAAI,
Art
Gallery of Memorial University, St. John’s
1985
Art in situ, Festival of the Arts exhibition, Ottawa
MONOGRAPHS
/ MONOGRAPHIES
Marlene Creates: Places of Presence: Newfoundland kin and ancestral
land,
Newfoundland 1989-1991,
Killick Press, St. John's.
Ruth
Wieder. Marlene Creates: The Colour of My Voice, the Colour of
the
Land, Newfoundland 1996
and Selected
Works,
Heather Webb. Cartographies
of Consciousness-raising: Mapping Out a Feminist Approach in the Work
of Marlene Creates,
MA thesis,
Department of Art History, Concordia University, Montreal
(published
online: http://spectrum.library.concordia.ca/394/1/MQ40230.pdf).
1994 Marlene
Creates: Language and Land Use, Alberta 1993, Southern
Alberta
Art Gallery, Lethbridge.
1993
Susan Gibson Garvey. “The Specificity of Place”, in Marlene
Creates:
Landworks 1979-1991,
John Scully. Places of Presence: Newfoundland kin and ancestral
land,
Newfoundland 1989-1991,
Gallery 44, Toronto.
1990 Jacqueline
Fry. Marlene Creates: The Distance Between Two Points is
Measured
in Memories, Labrador 1988,
Presentation House Gallery, North Vancouver (reprinted 1998).
1989
Colleen O’Neill. Marlene Creates: The Distance Between Two Points
is
Measured in Memories, Labrador 1988,
Sir Wilfred Grenfell College Art Gallery, Corner Brook.
1983
Linda Harvey-Rioux. Marlene Creates: Paper and Place, Dunlop
Art
Gallery, Regina.
1982
On Site, Art Gallery of Memorial University, St. John’s.
1981
Paper, Stones and Water,
Agnes Etherington Art Centre, Kingston.
1979
Two Stories to Every Side, Galerie Sans Nom,
Moncton.
GROUP
EXHIBITION CATALOGUES / CATALOGUES D'EXPOSITIONS COLLECTIVES
2017 Andrea
Kunard. Photography in Canada,
1960-2000 / La photographie au Canada, 1960–2000, National
Gallery of Canada, Ottawa.
Alexandra McIntosh, Nicolaus Schafhausen, and Eleanor Taylor. Belonging to a Place: An Exhibition by
Fogo Island Arts, Art en Valise,
Fogo Island Arts, and Scrap Metal Gallery, Toronto.
Rebecca Basciano, Jim Burant,
Michelle Gewurtz, Catherine Sinclair, et al. Àdisòkàmagan / Nous connaître un peu
nous-mêmes /
We'll all become stories, A Survey of Art in
the Ottawa-Gatineau Region, Ottawa Art Gallery and Figure 1 Publishing,
Vancouver, BC.
Catherine Beaudette and Patricia Grattan. Bonavista Biennale: Art Encounters on the
Edge / Art et conjonctures,
2 Rooms
Contemporary Art Projects, Duntara, Newfoundland. https://bonavistabiennale.com/catalogue/artists/marlene-creates/
2016
Lisa Baldissera. The Tremendous
Elusive: Emily Carr and the Canadian Imaginary, Canada House
Gallery, London (UK)
Breathing Art, Geumgang Nature Art Biennale and Korean Nature Artists’ Association—Yatoo, Gongju-si, Republic of Korea
Luciano Benetton, Peggy Gale, and
Francesca Valente. Out of the Bush
Garden: Contemporary Artists from Central-Eastern Canada,
Imago Mundi, Antiga Edizioni, Crocetta del Montello,
Italy
2014
Kel
Portman. The Art of Walking,
The Museum in the Park, Stroud, Gloucestershire, UK
2011 25 for 25: a touring exhibition from the
Provincial Art Bank of Newfoundland and Labrador,
The Rooms Provincial Art Gallery, St. John's
2008
Emily Falvey and Rob McLennan. Evidence:
The Ottawa City Project, The Ottawa Art Gallery, Ottawa
2007
Lynn Simmons et al. A Century of Women and Work, Workers Arts
&
Heritage Centre and Ontario
Federation of Labour
Susan
Gibson Garvey. A Walk in the Park, Dalhousie Art Gallery,
Halifax
2006 Bernard
Lamarche. Sur la route / On the Road, Musée régional de
Rimouski,
Rimouski
2005 Karen
Love and Elizabeth May. Weathervane, The Ottawa Art
Gallery,
Ottawa and Oakville Galleries, Oakville
Charlotte Jones, Sean McCrum, & Stuart Reid. The
Limestone
Barrens
Project, Tom Thomson Memorial Art Gallery,
Owen Sound
Emily Falvey and Milena Placentile. Off Grid,
Ottawa Art
Gallery, Ottawa
2004
Scott McLeod. Exhibit A: Photography from Atlantic Canada,
Saint Mary’s
University Art Gallery, Halifax
in Zone 6B: Art in the Environment, Hamilton Artists Inc.,
Hamilton
Susan Gibson Garvey. Dualities, Dalhousie
Art Gallery, Halifax
Susan Gibson Garvey. Dalhousie Art Gallery: The
Collection,
Dalhousie
Art Gallery, Halifax
Shannon Anderson. Revealing the Subject, Oakville Galleries,
Oakville
2002
Ian McKinnon. An Invested Nature, Dalhousie Art Gallery, Halifax
2001
François Dion. Bearings: Four
Photographic Essays, Gallery 101,
Ottawa
2000 Tom
Smart. Artists in a Floating World: the Marion McCain Atlantic
Art Exhibition,
Beaverbrook Art Gallery, Fredericton
Temporalité, La Chambre blanche, Québec
1999
Marie Fraser, André Gilbert, Gaëtan Gosselin, Guy Sioui Durand. Trois
fois
Trois Paysages, Vu, Québec
1998
Gaston St-Pierre. Les lieux communs: Culture
populaire et art
contemporain,
le Centre de sculpture Est-Nord-Est,
Saint-Jean-Port-Joli & Musée régional de Rimouski, Rimouski
Gaston
St-Pierre. Les lieux communs: Culture populaire et art
contemporain,
Centre International d'Art Contemporain
de Montréal
Sylvie Parent, Jean Dumont, Luce Des Aulniers, Luc Bureau,
Chantal
Boulanger,
Marie Fraser, Sylvain Campeau,
Diane Génier. Manœuvres: Regional Representation
in the Canada
Council Art
Bank, The Ottawa Art Gallery, Ottawa
Susan Close. Selected Photographs from the City of Ottawa
Collection, Karsh-Masson
Gallery, Ottawa
Claire Christie. Contours, Olga Korper
Gallery, Toronto
Cliff Eyland. Rethinking the Rural in
Contemporary Newfoundland Art,
Art
Gallery of Newfoundland & Labrador,
St. John's
Gaëtan Gosselin. “Magies”, in Bulletin 22, La
Chambre Blanche,
Québec
1996
Container 96 – Art Across Oceans, Europaeisk Kulturby,
Copenhagen,
Denmark
Swinging the Lead, International
Festival of the Sea, Bristol, England
Signatures: Newfoundland Women Artists and Writers, Killick
Press,
St. John's
Gil McElroy. Afterimages: Representing the Absent Body, Faculty
of
Architecture,
Technical
University of Nova Scotia, Halifax
1995
Stephen Bann and Bob Chaplin. The Edge of Town, Joseloff
Gallery,
University of Hartford, Connecticut
Fotofeis ’95 International Festival of Photography in Scotland,
Fotofeis Ltd.,
Edinburgh
Carol Payne. Displaced Histories / Histoires déplacées,
Canadian Museum
of Contemporary Photography, Ottawa
Duncan
Macmillan, et al. Calanais, An Lanntair, Stornoway, Isle
of
Lewis, Scotland
John Fairleigh and Chris Wilson. Land and Sea: Eight Artists from
Newfoundland, St. John’s and Ireland
1994
Beaverbrook
Art Gallery, Fredericton
Renée Baert. Margins of Memory, Art Gallery of Windsor, Windsor
Linda Rae Dornan. The Vocation of Storytelling: rooted in
community, Struts
Centre, Sackville
1989
Joan Borsa. “Whose Stories, Which
Nature: Retracing Faint Paths”, and
David Reason. “Storylands; Narrative and the Thematisation of Landscape
Art”, Maskunow:
A Trail, A Path,
Art Gallery of Memorial University, St. John’s
1985
The Physicality of Landscape: Christo, Paterson Ewen, Marlene Creates,
Artspace, Peterborough
1983
Photographic
Sequences,
Art Gallery of Peterborough, Peterborough
1981
Pierre Dessureault. Elements: Points of View on Nature / Éléments:
points de
vue sur la nature,
National Film
Board of Canada, Still Photography Division, Ottawa
BOOKS and other publications / LIVRES et autres publications
2018
Jennifer Allen Craft. Placemaking and
the Arts, InterVarsity Press, Downers Grove, Illinois, USA.
2017
Victoria Dickenson, Laura Brandon, Naomi Fontaine,
Patricia Grattan, Laurier Lacroix, Lee Maracle, and Gerald McMaster.
The Good
Lands: Canada Through the Eyes of Artists, Figure 1 Publishing,
Vancouver, BC.
2016
Robert Macfarlane. Landmarks,
Penguin Books, UK, p.340.
Derek Gladwin. “Ecocritical and Geocritical
Conjunctions in North
Atlantic Environmental Multimedia and Place-Based Poetry,”
in Ecocriticism and Geocriticism: Overlapping
Territories in Environmental and Spatial Literary Studies,
eds. Robert T.
Tally Jr. & Christine M. Battista, Palgrave Macmillan, Basingstoke
(UK) and New York (USA).
Jeanne Nemeth.
“Constructed Territories: Identity Mapping" in Culturally Sensitive Art Education in a
Global World:
A Handbook for Teachers, eds. Marjorie
Cohee Manifold, Steve Willis, and Enid Zimmerman, National Art
Education
Association,
Alexandria, Virginia (USA)
2015
Robert Finley. “Marlene Creates’ Boreal
Poetry Garden,” in The Good
Gardener?: Nature, Humanity and
the Garden,
eds. Annette Giesecke and Naomi
Jacobs, Artifice Books, London (UK)
2012
Carmen Concilio. “Marlene Creates’s
Eco-Consciousness as Land Artist, Photographer and Poet,” and
“Questioning
Environmental Issues. An Interview
with Marlene
Creates,” in New Critical Patterns
in Postcolonial Discourse: Historical
Traumas and
Environmental Issues,
Trauben, Turin (Italy)
2011
Liz Wells. Land
Matters: Landscape Photography, Culture and Identity, I B
Tauris, London (UK)
Patricia Grattan. City Seen:
Artists’ Views of St. John’s, 1785-2010, Winter Place Projects,
St. John’s
2010 James Opp and John C. Walsh, ed. Placing Memory and Remembering Place in Canada, UBC Press, Vancouver
Ursula A.
Kelly and Elizabeth Yeoman, ed., Despite
This Loss: Essays on Culture, Memory and Identity in
Newfoundland and
Labrador, Institute of Social and Economic Research, Memorial
University of Newfoundland, St. John's
Pierre Dessureault et al, Nordicité,
Éditions J’ai VU, Vu centre de diffusion et de production de la
photographie, Québec
Newfoundland & Labrador Studies:
Selected Topics, Department of Education, Government of
Newfoundland and Labrador
2009
Culture,
Heritage & Identity: Experiencing the Arts (Selected Topics in
Newfoundland and Labrador Studies),
Department of
Education,
Government of Newfoundland and Labrador
2008 Ardra L. Cole and J. Gary
Knowles, Handbook of the Arts in
Qualitative Research: Perspectives, Methodologies, Examples, and
Issues, SAGE Publications Inc., Thousand
Oaks, California
2007
Martha Langford. Scissors, Paper, Stone: Expressions of Memory in
Contemporary Photographic Art,
McGill-Queen's
University Press, Montreal
& Kingston
John O'Brian and Peter White. Beyond
Wilderness:
The Group of Seven, Canadian Identity, and Contemporary Art,
McGill-Queen's
University Press, Montreal
& Kingston
Robert Finch. The Iambics of Newfoundland, Counterpoint Press,
New York
Mary Modeen, Remembered Places,
Ballarat Fine Art Gallery, Ballart, Australia
2006
Michael
Winter.
“A Galapagos Wave Strikes Newfoundland” in Writing Life,
McClelland
& Stewart, Toronto
2005
Juri Peepre, Sarah Locke et al. Three Rivers: The Yukon’s
Great Boreal Wilderness,
Harbour
Publishing, Madeira Park, BC
Maureen
Korp. “The Earthwork”, The Encyclopedia of Religion and
Nature,
Thoemmes Continuum, London & New York
2003
Penny Cousineau-Levine. Faking Death: Canadian Art Photography and
the
Canadian Imagination,
McGill-Queen’s University Press, Montreal & Kingston
2002
Alan Morantz. Where Is Here?: Canada’s Maps and the Stories They
Tell,
Penguin Canada, Toronto
Sherrill E. Grace. Canada and the Idea of North, McGill-Queen’s
University Press, Montreal & Kingston
2001
Rebecca Solnit. As Eve Said to the Serpent: On Landscape, Gender,
and Art,
University of Georgia Press,
Athens,
Georgia, USA
J. Gary
Knowles & Suzanne Thomas. “Insights and Inspiration from an
Artist’s Work, Envisioning and
Portraying
Lives in
Lanham,
Maryland
2000
Who's Who in the World, Marquis, New
Providence, NJ (annual
editions
2000–2015)
Sherrill E. Grace. “Gendering Northern Narrative”, in Echoing
Silence:
Essays on Arctic Narrative, edited by John Moss,
University of Ottawa Press, Ottawa
1995
Lucy Lippard. “Undertones: Nine Cultural Landscapes”, in Reframings:
New
American Feminist Photographies,
edited by Diane Neumaier, Temple
University Press, Philadelphia
Janice Helland. Marlene Creates, in North American Women
Artists of
the Twentieth Century, edited by
Jules Heller and
Canadian Who's Who,
University of Toronto Press and Grey House Publishing Canada, Toronto
(annual editions 1995–2019)
1991
Jody Berland. “Fire and Flame, Lightning and Landscape: Tourism and
Nature in
Banff, Alberta” in
Between Views
and
1984
Contemporary Canadian Photography from the Collection of the
National Film
Board, Hurtig Publishers, Edmonton
1983
Lucy Lippard. Overlay: Contemporary Art and the Art of Prehistory, Pantheon
Books, Random House Inc.,
New York
PERIODICALS,
JOURNALS,
and NEWSPAPERS / PÉRIODIQUES et JOURNAUX
2018
Sophie Pilipczuk. "IN and OF: Response to Marlene Creates: Places,
Paths, and Pauses", Visual
Arts News,
vol 40 no 1,
Halifax
(Summer 2018): 46–49.
Laura Hardy. "Places, Paths, and
Pauses: a Dalhousie Art Gallery exhibit,” Dal Gazette, Halifax (May 5).
http://dalgazette.com/arts-culture/places-paths-and-pauses/
Sarah Gittins.
"Sarah Gittens reviews
Marlene Creates: Places, Paths, and Pauses", ecosartscotland, posted May 10,
2018.
https://ecoartscotland.net/2018/05/10/sarah-gittins-reviews-marlene-creates-places-paths-and-pauses/
Ray Cronin.
“Tracings and Passages, Marlene Creates," Border Crossings, vol 37 no 1,
Winnipeg (March, April May): 56–62.
________. “Places, Paths, and
Pauses: The Work of Marlene Creates. Dalhousie Art Gallery hosts a look
at a lifetime spent
exploring the beauty of the natural world," Halifax Magazine online (April 17).
http://halifaxmag.com/blog/places-paths-and-pauses-the-work-of-marlene-creates/
2017
Ray Cronin. “Marlene Creates’ Natural Art,” Atlantic Books Today, Halifax (Fall
2017): 56.
http://atlanticbookstoday.ca/marlene-creates-natural-art/
“Must-Sees—Shows to See Over the Holidays: December 21, 2017 to January
3, 2018,” Canadian Art online
(December 21).
http://canadianart.ca/must-sees/shows-see-holidays-december-21-2017-january-3-2018/
Jean Graham.
“A couple of gorgeous gifts: 'Develop or Perish: A Pictorial Record of
J.R. Smallwood's New Industries' and
‘Places,
Paths, and Pauses: Marlene Creates'"The
Northeast Avalon Times, Portugal Cove–St. Philip's (December):
11.
Steven Ross
Smith. “Preserving Women's Stories,” Galleries
West (December 18).
http://www.gallerieswest.ca/art-reviews/books/preserving-women-s-stories/
Joan Sullivan.
“’Underlying all my work has been an interest in place,’” The Telegram, St. John’s (November
25): B10–11.
http://www.thetelegram.com/living/joan-sullivan-underlying-all-my-work-has-been-in-interest-in-place-164324/
Stephen Dale.
“Creates and Cáhen in the Spotlight at the Beaverbrook,” National
Gallery of Canada online magazine,
(November 21).
https://www.gallery.ca/magazine/exhibitions/creates-and-cahen-in-the-spotlight-at-the-beaverbrook
Gil McElroy.
“Do No Harm: Marlene Creates,” Re:Sculpt,
International Sculpture Centre, Princeton, New Jersey, USA (Oct 25).
https://blog.sculpture.org/2017/10/25/marlene-creates/
Alexxa
Gotthardt. “This Remote Artist Residency Is Set on a Tiny Fishing
Island”, Artsy Magazine (October
2).
https://www.artsy.net/article/artsy-editorial-remote-artist-residency-set-tiny-island-time-zone
Katrina
Clarke. “New retrospective opens at Beaverbrook,” The Daily Gleaner, Fredericton
(September 23): A2.
https://www.telegraphjournal.com/daily-gleaner/story/100351887/
Leah Sandals.
“16 Art Shows to See This Fall,” Canadian
Art online (September 21).
http://canadianart.ca/features/16-art-shows-to-see-this-fall
Murray Whyte.
“Huge Canadian art show in Venice showcases our home and creative
land,” Toronto Star (September
19).
https://www.thestar.com/entertainment/visualarts/2017/09/19/imago-mundis-huge-canadian-art-show-captures-our-slightly-unsettled-state-whyte.html
Russell Smith.
“Getting to the art of Fogo Island,” The
Globe and Mail, Toronto (September 14): L2.
https://beta.theglobeandmail.com/arts/art-and-architecture/russell-smith-getting-to-the-art-of-newfoundlands-fogo-island/article36239146/?ref=http://www.theglobeandmail.com&
Leah Sandals.
“The World’s Newest Biennale, in Outport Newfoundland,” Canadian Art online (August 23).
http://canadianart.ca/features/bonavista-biennale/
Anna Kovler.
“Seen by the Water: Marlene Creates and Fogo Island,” Arsenal, Montreal
(August).
http://arsenalmontreal.com/en/seen-by-the-water-marlene-creates-and-fogo-island/
Women Eco
Artists Dialog (WEAD) Magazine no.9: Artists
at Work member’s portfolio
https://directory.weadartists.org/wead-artists-portfolio-9
Eva Crocker.
“12 Years of Growth and Transformation in Marlene Creates’ Boreal
Poetry Garden", The Overcast online,
St. John's
(July 18).
https://theovercast.ca/12-years-of-growth-and-transformation-in-marlene-creates-boreal-poetry-garden/
Lauren
Collins. “The Talk of the Town, Dept. of Hoarding: Gift of Words,” The New Yorker, New York (April
17): 21.
and on line:
“Pen Pals Provide Linguistic Curios”,
https://www.newyorker.com/?p=3334580&mbid=social_tablet_e
2016
Andrew Vowles. “Poet, environmentalist Marlene Creates to hold memory
mapping workshop and share film about her
work”, Guelph Today online publication,
Guelph, Ontario, posted October 12, 2016.
Myriam Suchet
and Sarah Mekdjian. “L’hypothèse de la traduction artiviste : mise en
chantier indisciplinaire”
(The
Hypothesis of Artivism as a Form of Translation. An Indisciplinary
Perspective), Itinéraires –
Littérature,
textes,
cultures, no. 2016-1, Université Paris, France,
https://itineraires.revues.org/3312
2015
Emily
Urquhart. “The Unique Language of Newfoundland”, Hakai Magazine: Coastal Science and
Societies, Victoria, BC, online (December 20):
http://www.hakaimagazine.com/article-long/unique-language-newfoundland
Marlene Creates. “A
Newfoundland Treasury of Terms for Ice and Snow”, portfolio in Billie: Undercurrents in Atlantic Canadian
Visual Culture,
vol. 1, issue 1, Beaverbrook Art
Gallery, Fredericton: 6-13.
Patricia
Grattan. “Re-forming the Language – landscape in Newfoundland art”, Billie: Undercurrents in Atlantic Canadian
Visual Culture,
vol. 1, issue 1, Beaverbrook Art
Gallery, Fredericton: 28-35.
“Poets and
biologist to host poetry-infused tastings of edible, local
plants and fungi”, The Overcast,
#19, St. John’s (August): 12.
Jean
Graham. “Two views of the province through CFA eyes”, The Northeast Avalon Times,
Portugal Cove-St. Philip’s (June): 14.
2014
"Walkers", Inventory, C
Magazine #121, Toronto (Spring): 79
Jill
Glessing. “Expanding our Field with CONTACT Festival”, CV Photo 96, Montréal
(Hiver/Winter): 46-53.
Lizzy Hill. “Rugged
Nonconformity: The Art of Newfoundland and Labrador”, National Gallery of Canada online magazine,
February 19.
2013 Marlene Creates, portfolio in KATALOG–Journal
of Photography & Video, issue no.
25.3, Museet for Fotokunst Brandts, Odense, Denmark: 46-49.
Sarah
Milroy. "Photographer Marlene Creates Honoured at CONTACT", The Globe and Mail, Toronto (May
31): L4.
“Marlene Creates takes
home $5,000 prize”, The Telegram, St. John’s (June 4).
Fran
Schechter. “Marlene Creates”, NOW
Magazine, issue 1635 vol. 32 no. 38, Toronto (May 23-29): 64.
2011
Robert Finley. “Marlene Creates: Of Words and Woods”, Canadian Art
on-line (September 15):
http://www.canadianart.ca/online/reviews/2011/09/15/marlene_creates/
Marlene
Creates. "Into the Woods and Out of the Gallery," The Osprey, journal of Nature
Newfoundland & Labrador,
vol 42 no 4, (Fall): 5-7.
Sue
Sinclair. “A Place to Lay Your Head”, Arc
Poetry Annual 2011, Ottawa: 117-119.
Andrea
Kunard. “Between Two Points”, BlackFlash, vol. 28.2, Saskatoon
(winter): 20-22.
“Local artist and
poet Marlene Creates…”, The
Northeast Avalon Times, no. 133, Portugal Cove (May): 8 & 12.
Tara
Bradbury. “Posies and poetry—Marlene Creates shares verse in her own
backyard”, The Telegram, St. John’s (July 15):
A1, B1, B3.
2010
Kathryn Welbourn. “Local river gets starring role,” The Northeast Avalon Times, no.
126, Portugal Cove (October): 1 & 4.
Sue Hickey.
"Art Ex-ceptional," The
Advertiser, Grand Falls-Windsor (August 12).
2009
Craig Francis Power. “The 25 Greatest Works of Art Ever Made in
Newfoundland and Labrador”,
The
Scope, vol. 4, no. 14, St. John’s (August 13-27): 7-9.
Melissa
Gruber. “CARFAC Annual General Meeting and Conference in St. John’s”, CARFAC Calendar,
vol. 12, no.1, Ottawa
(Spring/Summer ’09): 6-7.
Jan Allen. “Marlene
Creates: Interrogative Movement", Prefix
Photo 19, Toronto (May): 62-75.
Tess de Haan.
“Signs of our time”, ArtSCAPE
Magazine, London, Ontario (February): 4-6.
2008
Marian Frances
White. “League of Canadian Poets’ Inaugural Conference
in St. John’s a Success”, Word,
vol. 19, no. 4,
Writers’ Alliance of Newfoundland
and Labrador, St. John’s (Autumn): 15-16.
2007
Nathan Walsh.
“Take the Sign”, Echo, Kitchener (July 5-11): 15.
Barb Sweet. “Lessons to be taken from Yukon project: conservationist”, The
Telegram, St. John’s (April 14): A4.
2005
Sarah Milroy.
“Blue skies and yucky stuff”, The Globe and Mail, Toronto
(November 29):
R1-2.
Jennifer Morgan. “Like landscapes”, The Express, St. John’s
(September
21-27): 13.
2004
Elissa Barnard. “Of land and sea”, The Chronicle-Herald,
Halifax
(November 13): D1 & D9.
Scott McLeod, Prefix
Photo 10, Toronto (November): 30-31.
Noreen Golfman. “It takes the artist to make us see”, The
Independent,
St. John’s (September 19): 21.
2003
Frank Clifford.
“Finding Wilderness: A dozen people take a perilous journey in Canada’s
vast
Yukon Territory…”, Los Angeles
Times Magazine,
Los Angeles, (November 30): 22 -27, 39-40.
Bart Gazzola. “Outside the Frame: Marlene Creates adds extra dimension
to
photography”, Planet S, Saskatoon, (October 30): 17.
“Local artist selected for northern expedition”, The Express,
St. John’s
(June 4-10): 19.
Jean Edwards Stacey. “Rolling on a river”, The Telegram, St.
John’s (May
30):B1.
Wendy Welch. “Gallery Gets Gifts, Goes Ga-Ga”, Monday Magazine,
Victoria
(May 1–7): 17.
Robert Amos. “Gallery strives to amass contemporary works”, Times
Colonist,
Victoria (April 10): D5.
Ingrid Paulsen. “Funking up the AGGV”, Weekend Edition,
Victoria (March
21): 12.
2002
Marlene
Creates, portfolio, Arts Atlantic 72, vol. 19 no. 3, Halifax
(Summer):
28-31.
Stephanie Porter. “Saving Grace: Artist Marlene Creates pays tribute to
the
women, and memories, of the old Grace hospital”,
The Express, St. John’s (May 8-14): 19-20.
“Echoes of Grace, Remembering Through Art”, The Telegram, St.
John’s
(May 8): A4.
2001
Marlene
Creates. “The Distance Between Two Points is Measured in Memories,
Labrador
1988” (portfolio), Queen’s Quarterly,
vol. 108, no. 4, Kingston (Winter): 538-547.
David Garneau. “River City”, Canadian Art, vol. 18, no. 4,
Toronto
(Winter 2001): 82.
Marlene Creates. “Thirst for revenge distorts biblical message”, Letter
to the
editor, The Telegram, St. John’s (September 18): A6.
Gil McElroy. “Marlene Creates: Orientation”, Art On Paper, New
York
(July-August): 78.
Joyce Mason. “A new landscape tradition”, Elle Canada,
Montreal, no.2
(Summer): 42.
"Fast
Forward", Canadian Art, vol.
18, no. 2, Toronto (Summer 2001): 24.
Gil McElroy. “Spatial
Orientation”, Afterimage, vol. 28, no. 6,
Visual
Studies Workshop, Rochester, NY (May/June): 15.
“Newfoundland artist joins Royal Canadian Academy”, The Telegram,
St.
John’s (May 16): 34.
2000
Diane Tye.
“Marlene Creates. Places of Presence: Newfoundland kin and
ancestral land,
Newfoundland 1989-1991”, Newfoundland
Studies,
vol. 16 no. 2, Memorial University, St. John’s (Fall): 291-292.
Laurie Dalton. “Grid of 100 pictures is worth 1000 words”, The
Athenaeum,
Acadia University, Wolfville (November 28): 21.
“Raises Questions”, The Advertiser, Kentville (December 1): 23.
“Fast Forward”, Canadian Art, vol. 17, no. 3, Toronto
(September): 20.
Deborah Forbes. “Language and Land Use, Alberta 1993 thought
provoking”, The
Medicine Hat News, Medicine Hat (Aug 4): B4
Kay Burns. “Signs that point the way: Revealing the irony of imposing
systems
on land”, Fast Forward Weekly, vol. 5, no. 26,
Calgary (June 22 -28): 3
Alberta Views, vol. 3, no.4,
Calgary (July/August): 12.
1999
Andrea Cooper.
“Marlene Creates: Questions about the Place, Nova Scotia 1998”, Current,
vol. 1,
Mark Vaughan-Jackson. “Exhibit asks questions with pictures”, The
Sunday
Telegram, St. John's (Sept 5): 17.
Gil McElroy. “Intersections: Places, General Regulations, and
Memories”, Arts
Atlantic 64, Charlottetown (Summer/Fall): 21.
Roger LeBlanc. “Artist's work graces embassy walls”, The Express,
vol. 9
no. 9, St. John's (July 28-August 3): 6.
Robin Metcalfe. “Letter from Halifax”, C Magazine #62, Toronto
(May-August): 48.
Barry Dole. “Intersections”, Picaro, Mount Saint Vincent
University,
Halifax (January 12): 10-11.
1998
Ken Roberts.
“Mapping”, Descant 103, vol. 29, no.4, Toronto (Winter):
111-124.
Robin Metcalfe. “Marlene Creates”, CVphoto, no. 43, Montréal
(Summer):
15-20. (portfolio)
“Markers Along Memory Lane Celebrate 125 years of Mount Living”, Folio
Montana, Mount Saint Vincent University,
Halifax (Spring/Summer): 9, 13.
Bernard Lamarche. “Vox populi, De Saint-Jean-Port-Joli à Montréal, une
exposition sur les lieux communs”, Le Devoir,
Montréal (30-31 mai): D8-9.
Daniel Béland. “Trois fois Trois Paysages”, CVphoto, no. 42,
Montréal
(Spring): 32.
Kathryn Welbourn. “Places of Presence”, The Express, St. John's
(April 8): 10.
Kip Bonnell. “Creating with Creates”, The Muse, Memorial
University of
Newfoundland, St. John's, vol. 48, no. 12 (Jan. 16): 19.
1997
Elizabeth
Legge. “Contours – Body Double”, Canadian Art, vol. 14, no. 4,
Toronto
(Winter): 72.
Sue McCluskey. “World of wonders”, The New Brunswick Reader (December
27): 8-9.
Christina Sabat. “Analysis: group shows vs. solo shows”, The Daily
Gleaner,
Fredericton (November 22): 11-12.
Mark Vaughan-Jackson. “The art of excellence - Arts community honors
its best”,
The Sunday Telegram, St. John's (Sept 14): 2.
Bernard Lamarche. “Cap sur les Studios d'été”, Le Devoir, Montréal
(26
août): B7.
Marie Deschènes. “L'art contemporain s'inspire de l'art populaire”, Le
Peuple Côte-Sud, Montmagny (23 août): 5.
Gary Michael Dault. “National Gallery surveys the scene”, The Globe
and
Mail, Toronto (August 14).
Michel Bois. “Du pin sur la planche”, Voir, Québec (7-13 août).
Betty Ann Jordan. “Toward a new art of the touch”, The Globe and
Mail, Toronto
(August 2): C11.
“Le Centre Est-Nord-Est accueille l'événement «Les lieux communs»”, L'Oie
blanche, Montmagny (2 août).
“Entre la culture populaire et l'art contemporain existent Les Lieux
communs”, Le
Peuple Côte-Sud, Montmagny (26 juillet): 9.
Sandra Gwyn. “A Sense of Place”, Maclean's, Toronto (June 23):
18-21.
John Bentley Mays. “McMichael shows miss the mark”, The Globe and
Mail,
Toronto (February 13): A16-17.
1996
Robin Metcalfe.
“Afterimages: Representing the Absent Body”, Arts Atlantic 56,
Charlottetown (Fall/Winter): 6-7.
Marlene Creates. Letter to the editors, MIX, vol. 22, no. 2,
Toronto
(Fall): 62.
Linda Turk. “History, landscapes meet in art”, The Chronicle-Journal,
Thunder Bay (October 24).
Curtis Rumbolt. “Barstool prophets: Eastern Edge Gallery’s Post-Modern
Salon
aims to revive lost art of civilized debate”,
The Express, St. John’s (September 4): 18.
Alain Demers. “La passion de Terre-Neuve reproduite en images”, La
Boîte à
Nouvelles, Iroquois Falls (28 août): 2.
“Creates brings East Coast to Falls”, The Daily Press, Timmins
(August
16): 3.
Thérèse Dion. “Danish smorgasbord”, The Gazette, Montreal
(August 3):
G6.
Marlene Creates. “Portfolio: Language and Land Use, Newfoundland 1994”,
BlackFlash,
Saskatoon (Summer): 14-17.
Maja Swannie. “Storyland, Walter Phillips Gallery, Banff”, Flash
Art, Milan,
Italy (May-June): 57.
Mike Gartside. “Sea Change”, Venue, Bristol, England (May
10-24): 78.
Mark Vaughan-Jackson. “Newfoundland Artist shares the Heart of St.
John's with
European audiences”, TV Scene,
The Evening Telegram, St.
John's (May 4-10): cover & 3.
Mark Vaughan-Jackson. “Containing the harbour's art”, The Evening
Telegram, St.
John's (April 28): 13.
Mark Vaughan-Jackson. “Art as ambassador”, The Evening Telegram,
St.
John's (March 22): 15.
Christine Koch. “Marlene Creates: Language and Land Use, Newfoundland
1994”, Arts
Atlantic 54, Charlottetown (Winter): 6.
Peter Gard. “Land and Sea: Eight Artists from Newfoundland”, Arts
Atlantic
54, Charlottetown (Winter): 4-5.
Curtis Rumbolt. “Art across the ocean: Local artist Marlene Creates
will put
St. John's on display at an international art
exhibit in Copenhagen this summer”, The Express, St. John's
(February
7): 17.
Roly Martin. “Newfoundlanders tell stories of home”, Remote Control,
Thunder Bay, vol. 4, no. 2: 5-7.
Elissa Barnard. “Afterimages leaves impression”, The Novascotian,
Halifax (February).
Murdo Macdonald. “Exploring myth, magic and mystery written in stone”, The
Scotsman, Edinburgh (January 15): 15.
1995
Jude Schwendenwien. “Joseloff's ‘Edge of Town’ is sophisticated show”, The
Hartford Courant, Hartford (November 19): G.
Deedee Cuddihy. “Beyond the obvious”, Glasgow Herald, Glasgow,
Scotland
(October 18).
“Canadian Embassy official to open Museum exhibition”, The Northern
Standard, Monaghan, Ireland (October 5).
Marlene Creates. Letter to the editors, MIX (formerly Parallélogramme),
Toronto (September): 54.
“Land and sea converge at the Glebe”, Donegal People's Press, Letterkenny,
Ireland (August 30).
Cliff Eyland. “Records of a Personal Landscape”, C Magazine
#46, Toronto
(Summer): 25-27.
Alan King. “Photos may tell much less (or more) than the truth”, The
Ottawa
Citizen, Ottawa (June 18): B7.
Ian Hill. “Newfoundland landscapes”, Irish Times, Dublin,
Ireland (June
7).
Gil McElroy. “Marlene Creates: Landworks 1979-1991”, Art Papers,
vol.
19, no. 3, Atlanta , Georgia (May/June): 60.
Robin Metcalfe. “Atlantic Canada in Brief”, C Magazine, Toronto
(Spring): 63.
Peter Gard. “Newfoundland art and artists getting noticed”, The
Newfoundland
Herald, St. John’s (March 25): 18-19.
John Perlin. “The Irish invasion”, The Sunday Telegram, St.
John’s
(March 12): 17.
Joan Sullivan. “Irish eyes focus on Land and Sea”, The Sunday
Telegram, St.
John’s (March 5): 17.
Andy Pedersen. “Marlene Creates finds art where nature intended”, The
Daily
News, Halifax (January 21): 20.
Elissa Barnard. “Artist celebrates love of the land”, The
Chronicle-Herald,
Halifax (January 19): B7.
1994
“Fast Forward”, Canadian Art, Toronto (December): 12.
Pat Durr. “Home is where the art is”, Arts Atlantic 50, Charlottetown
(Fall): 24.
Alison Gillmor. “Emotional links to landscape explored”, Winnipeg
Free
Press, Winnipeg (October 22): B4.
Lisa Moore. “Home Is Where The Art Is”, Parallelogramme, Toronto
(vol.
20, no. 2, Fall): 16-25.
Pat Durr. “Marlene Creates, Galerie SAW Video, Ottawa”, Arts
Atlantic 49, Charlottetown
(Spring/Summer): 17-18.
James Wade. “A strong showing comes from home”, The Evening
Telegram, St.
John’s (July 24): 21.
Peter Gard. “Home show explores women’s viewpoint”, The
Newfoundland
Herald, St. John’s (July 23): 18-19.
Sue Hickey. “Marlene Creates returns to Newfoundland roots”, The
Pilot, Lewisporte
(May 18): 3, section A.
Deborah Nobes. “Home is where the art is”, The Express, St.
John’s
(April 20): B1.
Jennifer Couëlle. “Newfoundlanders bring something from home to city”, The
Gazette, Montreal (April 2): 5, section i.
Catherine Matthews. “Marlene Creates, Landworks: 1979-1991”, The
Buzz, Charlottetown
(April): 6.
Paul Gallant. “Special places recorded in Creates exhibit”, The
Journal-Pioneer, Charlottetown (March 8).
Gary Michael Dault. “Margins of Memory”, Canadian Art, Toronto
(Spring):
66-69.
Marlene Creates. “The Distance Between Two Points is Measured in
Memories”, Orion,
New York (Spring): 10-11.
1993
Lisa Moore. “Marlene Creates: Landworks 1979-1991”, Arts Atlantic
47, Charlottetown
(Fall): 26-28.
Nancy Baele. “Landmark artist returns to landmark gallery”, The
Ottawa
Citizen, Ottawa (September 19): B6.
Peter Gard. “Montreal Art”, The Newfoundland Herald, St. John’s
(July
10): 14-15.
"Eastern Edge", The Newfoundland
Herald, St. John's (June 5): 9.
Nancy Baele.
“Landworks in time: Artist deals with passages”, The
Ottawa
Citizen, Ottawa (May 10): B6.
James Wade. “Memory maps and ancestral land on show”, The Evening
Telegram,
St. John’s (April 4): 2.
James Wade. “The landscapes of Marlene Creates”, The Evening
Telegram,
St. John’s (March 28): 21.
"A River, an Island, a City: The Persistence of Geography", Parallelogramme, vol.18, no.4,
Toronto (March): 74.
Lisa Moore.
“Creates approaches landscape in unique way”, The
Newfoundland
Herald, St. John’s (March 27): 12-13.
John Murchie. “Fast Forward”, Canadian Art, Toronto (March): 12.
“At MUN Art Gallery”, The Evening Telegram, St. John’s
(February 28):
21.
Deborah Nobes. “Creates’ Landworks”, The Express, St. John’s
(February
17): 13.
Stéphane Aquin. “Femmes d’aujourd’hui”, Voir, Montréal (21-27
janvier):
18.
Josée Vinette. “Visions de Femmes”, Montréal Campus, Montréal
(20
janvier): 12.
Marie-Michèle Cron. “Le téléscopage du Moi et l'Autre”, Le Devoir,
Montréal (16 janvier): C-14.
Joanne Latimer. “Myself, My Art”, Montreal Mirror,
Montreal (January
14-21): 22.
1992
Denis Lavoie. “Têtes d'affiche”, La presse, Montréal (20
décembre): C8.
“Meets artist”, The Evening Telegram, St. John’s (December 3):
24.
“Don à la ville”, Le journal de Montréal, Montréal (21
novembre): 38.
Gil McElroy. “Rephotographing the Land”, Arts Atlantic 44, Charlottetown
(Fall 1992): 9-10.
Peter Gard. “Exhibitions deal with water, fire, earth and air”, The
Newfoundland Herald, St. John’s (September 12): 18-19.
Dawn Rae Downton. “Artist/Writer? A Symposium”, Arts Atlantic 43, Charlottetown
(Spring-Summer): 42.
Marlene Creates. “Long Harbour incinerator has serious consequences”,
Letter to
the editor,
The Newfoundland Herald, St. John’s (June 20): 2.
Marlene Creates. “Proposed incinerator at Long Harbour fraught with
problems”,
Letter to the editor,
Randy Burton. “Environment”, BlackFlash, The Photographers
Gallery,
Saskatoon (Spring): 7-12.
Chris Pickard. “Eastern Edge Gallery: art for art’s sake”, The
Evening
Telegram, St. John’s (February 23): 17.
Elissa Barnard. “Challenging Ansel Adams’ landscapes”, The Mail-Star,
Halifax (January 30): C4.
Robert Currie. “Landscape”, The Gazette, Dalhousie University,
Halifax
(January 23): 13.
1991
Layne Christensen. “Memories of Labrador communities part of exhibit”, East
London Reporter, London (September 26): 10.
Lisa Moore. “Canada Council displays Art Bank pieces”, The
Newfoundland
Herald, St. John’s (September 14): 22-23.
Elizabeth Beauchamp. “Newfoundland artist captures love of landscape”, The
Edmonton Journal, Edmonton (July 7): D2.
Christina Sabat. “Visual Arts in Review”, The Daily Gleaner,
Fredericton
(June 1): 13.
Christina Sabat. “Artist Seeks Active Encounters With The Landscape”, The
Daily Gleaner, Fredericton (May 13): 22.
Anne Lamar. “Permanent Collection is a treasure worth cherishing”, The
Sunday Express, St. John’s (April 21).
James Wade. “Celtic Art: A living continuum”, The Sunday Telegram,
St.
John’s (March 17): 20.
Kathleen Winter. “Artist Marlene Creates: finding our place in the
wilderness”,
The Sunday Express, St. John’s (January 27): 34.
1990
John K. Grande. “Reclaiming the Soul of Modern Art”, Canadian Forum,
Halifax (December): 6-9.
Jill Pollack. “Marlene Creates, Presentation House Gallery, North
Vancouver”, Arts
Atlantic 38, Charlottetown (Fall): 38-39.
Sylvain Campeau. “Lieux et distances de projection”, ETC Montréal
no.12,
Montréal (septembre): 26-27.
Nancy Baele. “Land art with quiet staying power”, The Ottawa Citizen,
Ottawa (June 21): B10.
Alexander Wilson. “Art, Geography and Resistance”, The
Massachusetts Review,
Amherst (Spring-Summer): 233-248.
Paul Schratz. “Art enters consciousness”, The North Bay Nugget,
North
Bay (March 24): C20.
Robin Laurence. “Sugimoto and Creates Display Details of Existence ”, The
Georgia Straight, Vancouver (March 23-30): 22.
Nancy Baele. “Putting a wrap around Canadian art”, The Citizen,
Ottawa
(February 15).
Suzanne Joubert. “À la Galerie Ufundi: Liens pour un quatuor”, Le
Droit,
Ottawa-Hull (10 février): A8.
Jacqueline Fry. “Marlene Creates, Eastern Edge Gallery, St. John’s”, Parachute
no.57, Montréal (janvier): 35-36.
Peter Gard. “Maskunow: A Trail, A Path”, Arts Atlantic 36, Charlottetown
(Winter): 8-9.
1989
Mavis Penney. “Two very different exhibits”, The Labradorian,
Happy
Valley-Goose Bay (December 5): 15.
Robert Stacey. “Walking in Woods: Notes on the Visitations of Hamish
Fulton”, Northward
Journal no.47, Kapuskasing: 16.
Marlene Creates. “Leave the bears alone!”, Letter to the editor, The
Newfoundland Herald, St. John’s (August 19): 4-5.
Anne Lamar. “Images from the Avalon”, The Sunday Express, St.
John’s
(July 16).
James Wade. “Exhibition enjoyable . . .”, The Evening Telegram,
St.
John’s (July 2).
Peter Gard. “O Darkly Bright: William Brooks Cabot In Labrador”, The
Newfoundland Herald, St. John’s (June 10).
James Wade. “Map drawn from memory on tundra spawned current Creates
exhibit”, The
Sunday Telegram, St. John’s (April 30).
James Wade. “Maskunow: A Trail, A Path”, The Evening Telegram,
St.
John’s (April 1): 24.
Peter Gard. “Varying looks at landscapes”, The Newfoundland Herald,
St.
John’s (March 11): 26-27.
Anne Lamar. “Maskunow: A Trail, A Path”, The Sunday Express, St.
John’s
(March 5).
Anne Lamar. “Notions of Environment gets down to basics”, The
Sunday Express,
St. John’s (February 26).
Jennie Punter. “Happy 20th Anniversary to students in the front lines
of art”, The
Whig-Standard, Kingston (January 28): 16-17.
Garet Markvoort. “Student exhibition reflects talent and creativity”, The
Queen’s Journal, Kingston (January 17): 16.
1988
Marie-Jeanne Musiol. “Memory/Souvenir”, Vie des Arts, Montréal
(mars):
67-68.
Jerry McGrath. “Art in the Soo - Sans Démarcation”, Vanguard,
Vancouver
(February/March): 10-13.
Peter Gard. “Commission winners and losers”, The Newfoundland Herald,
St. John’s (January 16): 22-23.
1987
Nancy Baele. “Leaving an imprint...”, The Citizen, Ottawa
(October 15).
Fred Gaysek. “Sans Démarcation“, Artviews, Toronto (Summer):
24-31.
Christine Rivet. “Ottawa artist stylizes subtle changes with the
landscape”, Sault
This Week, Sault Ste. Marie (August 19): 10A.
Joanne Thompson. “'Bedlam' reigns as Sault prepares for art
experience”,
The Sault Star, Sault Ste. Marie (June 13).
“White Water Gallery: Art’s First Address in the Near North”, Artviews,
Toronto (Spring): 16.
1986
Steven G. McLaughlin. “True strength in art” , Letter to the editor, The
Nugget, North Bay (September 18).
Mary L. Bon. “Satire on Main St.”, Letter to the editor, The Nugget,
North Bay (September 13).
Louise Middleton. “Rice on the rocks”, Canadore College, North
Bay
(September 12).
“Missed opportunity”, The Nugget, North Bay (September 10).
Gilbert McElroy. “Appallingly ignorant attitude”, Letter to the editor,
The
Nugget, North Bay (September 10).
Dawn Clarke. “Gallery director says sculpture deserves acclaim, not
ridicule”, The
Nugget, North Bay (September 9).
Drew McAnulty. “Footprint ‘art’ a protest”, The Nugget, North
Bay
(September 8): 1.
Drew McAnulty. “Wave Patterns, Lake Nipissing, 1986”, The Nugget,
North
Bay (September 5).
“Outdoor sculptor to visit North Bay waterfront”, The Near North Sun,
North Bay (August 15): 9.
“Photographs on display”, The Western Star, Corner Brook
(August 4).
Elizabeth Thompson. “Sculptor uses nature to make a statement”, The
Gazette,
Montreal (March 27): G7.
David McFadden. “The Physicality of Landscape”, Canadian Art,
Toronto
(March): 84-85.
Felicity Redgrave. “Traces”, Arts Atlantic 24, Charlottetown
(Winter):
10-11.
1985
Martha Tancock.
“Artspace and AGP host companion landscape shows”, Peterborough
Examiner,
Peterborough (October 23): 36.
“Sticks, stones and art”, Peterborough Examiner, Peterborough
(October
22): 22.
Elissa Barnard. “Each leaving traces”, The Mail-Star, Halifax
(June 18).
“Exhibitions reflection of interests”, The Mail-Star, Halifax
(June 5).
Marie Delagrave. “Paysages éphémères”, Le Soleil, Québec (18
mai).
Kevin McMahon. “Artists vs. elements at Brock”, The Standard,
St.
Catharines (April 8): 9.
1984
Norman Debono. “Marlene Creates”, The Windsor Star, Windsor
(October 6).
Joella Sidhu. “Artist takes Canadian Club members on tour to ancient
stone
circles”, The Packet, Orillia (March 20): 6.
1983
Nancy Tousley. “An artist who believes in paper work...”, Calgary
Herald,
Calgary (November 10): G8.
“Artists named as winners in juried exhibition”, The Whig-Standard,
Kingston (November 8).
Linda Harvey-Rioux. “Marlene Creates, Canadian artist at the Dunlop
Gallery”, Regina
Sunday News, Regina (October 9): 8.
Denise Ball. “Marlene Creates employs paper and landscape”, The
Leader-Post,
Regina (September 29): C1.
Jo-Ann Mihalich. “Artist emphasizes nature’s qualities”, The
Chronicle
Journal, Thunder Bay (September 27): 17.
Tom Gentles. “A temporary presence in ancient landscapes”, The
Times-Herald,
Moose Jaw (September 22).
Olivier Asselin. “Dumouchel, Dickson et Creates”, Le Droit, Ottawa
(23
avril): 33.
Caroline Stone. “On Site: The Artist in the Environment - Marlene
Creates”, Arts
Atlantic 16, Charlottetown (Spring):3.
1982
Philip Hicks. “The new sculpture”, The Evening Telegram, St.
John’s
(October 23).
“Ottawa sculptor creates cairn using Newfoundland stone, rock”, The
Evening
Telegram, St. John’s (September 18): 4.
Beatrice Watson. “Marlene Creates makes her art in the landscape”, The
Times
News, Thunder Bay (July 24).
Patrick Brennan. “Artist's work on display in Kenora”, Daily Miner
and News,
Kenora (May 21).
“Ottawa artist conducting workshop”, Daily Miner and News,
Kenora (May
14).
1981
Nancy Baele. “Photographer papers stones to sculpt scene”, The
Citizen,
Ottawa (November 14): 28.
Bruce Paton. “Elements presents the question: Can photography be art?”,
Ottawa
Revue, Ottawa (November 12-18).
Angela Marcus. “Marlene Creates’ bridge between natural and
artificial”, Ottawa
Revue, Ottawa (November 12-18): 9.
Frank Rackow. “Beyond the limitations of the craft”, The Charlatan,
Carleton University, Ottawa (October 29): 24.
Suzanne Joubert. “Photographier l’éternité”, Le Droit, Ottawa
(24
octobre): 21.
Greg Burliuk. “Paper, Stones and Water: Nature’s Magic”, The
Whig-Standard,
Kingston (March 13): 19.
E. Jane Northey. “Marlene Creates at SAW Gallery”, Artmagazine, Toronto
(February-March): 59.
Steven Leak. “Bringing nature and paper together”, Arthur Magazine,
Trent University, Peterborough (February).
Daniel Sharp. “Earth connection explored through paper and stone”, Peterborough
Examiner, Peterborough (February 2): 20.
1980
Rosalie Smith McCrea. “Sculpture in photography”, The Citizen,
Ottawa
(October 11): 21.
1979
Kathleen Walker. “Quality exhibition”, The Citizen, Ottawa
(December 7).
1978
Roger Amoroso. “Marlene Creates”, Ottawa Revue, Ottawa (May
25-31): 5.
Kathleen Walker. “Artist plumbs depths of surface”, The Citizen,
Ottawa
(May 19).
2001
Full Circle, Newfoundland Symphony Youth Choir (CD cover)
2000
Susan Knutson. Narrative in the Feminine: Daphne Marlatt and Nicole
Brossard,
Wilfred
Laurier University Press, Waterloo (cover)
Full Circle, Youth Choral Exchange Final Concert, Basilica of
St. John
the Baptist, St. John’s (concert programme)
1999
Lynn Davies. The Bridge That Carries the Road, Brick Books,
London,
Ontario (cover)
Page des Librairies, no. 56 (février-mars), Paris, France (p.
30-33)
1998
International Journal of Canadian Studies, no. 18 (fall), Diaspora
and
Exile / La diaspora et l'exil, Ottawa (cover)
Annuaire du Canada 1999, Statistics Canada, Ottawa (p. 6)
1992
Canada: A Portrait, Statistics Canada, Ottawa (p. 111, 125)
BROADCAST MEDIA(radio interviews, tv spots & features)/
ÉMISSIONS(radio, tv et reportage)
2017
Heather Barrett, Weekend Arts
Magazine, CBC Radio One (July 23): 10 min.
2016
“Exploring Place, Memory Maps, and Language with Marlene Creates” with
Dale Jarvis for the Heritage Foundation’s
Intangible Cultural Heritage and
CHMR Radio, Memorial University, St. John’s, September 22, 2016
http://doodledaddle.blogspot.ca/2016/09/exploring-place-memory-maps-and.html
2015
Barbara Deland. Guest
Interview with Marlene Creates, VOWR Radio, St. John’s (August
30 and September 2): 28 min.
Elizabeth
Yeoman. Interviw
with Marlene Creates, CHMR–FM Radio, Memorial University, St.
John's (August 6): 45 min.
Cecil
Haire. CrossTalk, CBC Radio
One, St.
John’s (June 29): 10 min.
Angela Antle. Weekend Arts Magazine,
CBC Radio One, St. John’s (April 25): 12 min. (rebroadcast August 30)
https://soundcloud.com/cbc-weekend-am-nl/marlene-creates-new-book-2015-04-25t09-36-04000
2013
Angela Antle. Weekend Arts Magazine,
CBC Radio One, St. John's (June 15).
2012
Barbara Deland. Guest Interview with
Marlene Creates,
VOWR Radio, St. John’s (December 16 and 19): 28 min.
The Nature of
Inspiration,
documentary film by 291 Film Company,
Regina, broadcast premier on
CBC Documentary Channel (August 4
& 6):
45 min.
2010
Angela Antle. Weekend Arts Magazine,
CBC Radio One, Grand Falls-Windsor
(August 8): 15 min.
Angela Antle. Weekend Arts Magazine,
CBC Radio One, St. John’s (February 6): 9 min.
Mike Power. Labrador Morning, CBC Radio One,
Goose Bay (February 2).
2009
Tom Allen. Radio Two Morning,
CBC Radio Two (October 9): 3 min.
Suzanne
Woolridge. The Morning Show,
CBC Radio One, St. John's (June 1).
Mack Furlong. Weekend Arts Magazine,
CBC Radio One, St. John's (May 30): 2 min.
The Tolt, the Droke, and the Blast Hole
Pond River with Marlene Creates, by 291 Film Company, Knowledge
Network – British
Columbia’s Educational
Broadcaster (February 16): 24 min.
2008
Mack Furlong. Weekend Arts Magazine,
CBC Radio One, St. John's (October 18): 11 min.
Farmyard Radio, Grizedale Arts,
Lawson Park, Coniston, Cumbria, England, online webcast interview
(September 26): 1 hour.
The Tolt,
the Droke, and the Blast Hole Pond River with Marlene Creates by
291 Film
Company, Regina,
part of the series Landscape as Muse, Bravo! Canada television
(April
10): 24 min. (rebroadcast March 22, 2010)
The Morning Show,
CBC Radio One, St. John’s (April 10): 2 min.
2007
Liz Zetlin and
Angela Antle. Weekend Arts Magazine, CBC Radio One, St. John’s
(October
20): 3 min.
Weekend Arts Magazine, CBC Radio One, St. John’s (September 30):
2 min.
Angela Antle. Weekend Arts Magazine, CBC Radio One, St. John’s
(July
22): 10 min.
Anne Budgell. Radio Noon, CBC Radio One, St. John’s (April 16)
Artspots, CBC Television, St. John’s, (January 2): 5 min.
Angela Antle. Weekend Arts Magazine, CBC Radio One, St. John’s
(February
24): 10 min.
2006
Liz Zetlin, Night
Walk: Boreal Poetry Garden, documentary video: 5 min.
Out of the Fog, Rogers TV, Cable 9, St. John’s (May 8): 1 min
Mark Cumby. Weekend Arts Magazine, CBC Radio One, St. John’s
(February
19): 5 min.
2005
Angela Antle. Weekend
Arts Magazine, CBC Radio One, St. John’s (November 26): 10 min.
2004
Jeff Goodes, Fresh
Air, CBC Radio, Toronto (November 28): 15 min.
Russ Knutson, The Afternoon Show, CBC Radio One, Whitehorse
(October
14).
Katie Nicholson, The Beat on Canada Now, CBC TV, St.
John’s,
(September 16).
Anne Budgell. Radio Noon, CBC Radio One, St. John’s (May 17).
Mack Furlong. Weekend Arts Magazine, CBC Radio One, St. John’s
(May 16):
16 min. (rebroadcast Saturday, September 11, 2004)
2003
Angela Antle. Weekend
Arts Magazine, CBC Radio One, St. John’s (August 23).
Regart, Rogers TV 23, Ottawa (April 25).
2002
Wanita Bates
and Shelagh Rogers. This Morning, CBC Radio One, Toronto (May
28): 10
min.
2001
Jim Brown. The
Morning Show, CBC Radio One, St. John’s (October 9).
Angela Antle. Weekend Arts Magazine, CBC Radio One, St. John’s
(July 28):
6 min.
Seanna Collins. Global News Morning Edition, Global Television,
Edmonton, (June 25): 3 min.
Suzanne Woolridge. Arts Report, CBC Radio One, St. John’s (May
23).
2000
Suzanne
Woolridge. Weekend Arts Magazine, CBC Radio One, St. John’s
(October 8,
2000): 4 min.
1999
Larry Jay. Evening
News, NTV Newfoundland Television, St. John's (September 17): 2 min.
Colleen McConnell. VOCM Radio, St. John's (July 9).
Chris O'Neill Yates. Radio Noon, CBC Radio One, St. John's
(July 8): 6
min.
Suzanne Woolridge. Radio Noon, CBC Radio One, St. John's
(January 5): 6
min.
Suzanne Woolridge. Weekend Arts Magazine, CBC Radio One, St.
John's
(January 9).
1998
Suzanne
Woolridge. Radio Noon, CBC Radio One, St. John's (September
8): 7 min.
1997
Laurence
Boudreau. Moi, j'adore, CKIA-FM, Québec (October 29).
The Morning Show, CBC
Radio One, St. John's (October 17).
Valerie Beauquier. CBAF Radio Canada, Halifax (September 30).
The Newfoundland & Labrador Arts Council Annual Arts Awards, CBC
Television,
St. John's (September 16): 60 min.
Suzanne Woolridge. Arts Report, CBC Radio, St. John's
(September 14
& 15).
Bill Coultas. Personal Portraits: Marlene Creates, Cable
Atlantic
Television, St. John's (May): 30 min.
Lorraine Gilbert, La Tête des eaux: art/nature project by
Boréal
Multimédia: video.
1996
Gene Gort. The
Edge of Town, Second International Distinguished Artists Symposium and
Exhibition, Hartford Art School,
Hartford, Connecticut: video 24 min.
1995
John Johnson. Landworks
of Marlene Creates, “Sunday Arts & Entertainment”, CBC
Television,
Toronto: 30 min.
(rebroadcast Sunday, December 7, 1997).
1993
Lynda Hall. interview
with Marlene Creates, “Art Snack”, CHUO (Ottawa University Radio),
Ottawa
(September 30).
Anne Lamar. Marlene Creates: Landworks 1979-1991, “Weekend Arts
Magazine”, CBC Radio, St. John's (March 13): 5 min.
1990
Angela Antle. interview
with Marlene Creates on Don Wright, “Weekend Arts Magazine”, CBC
Radio, St.
John's (September): 8 min.
1990
Angela Antle. interview
with Marlene Creates, “Weekend Arts Magazine”, CBC Radio, St.
John's (April
21): 8 min.
1988
Joan Borsa. Rewriting
the Script: Feminism and Art in Ontario, Women’s Art Resource
Centre,
Toronto: video.
1987
Anne Lamar. The
Diary Exhibition, “State of the Arts”, CBC Radio, national (April
19): 6
min.
1986
The White
Water Gallery presents Marlene Creates, interview with Gil
McElroy, Maclean Hunter Cable 12, North Bay
(September 4-5): 22 min 24 sec.
https://www.youtube.com/watch?v=u_awUxEMKQg
1984
Robert Fortin,
Radio Canada, Windsor (October 11): 1.5 hours.